Mumbai University Solved Question Papers
English 1
Previous Year Question Paper with Solution
BLS LLB 5 Years · Sem 1
2022-23 Examination
munotes.in
Mumbai
Mumbai University Solved Question Papers
English 1
Previous Year Question Paper with Solution
BLS LLB 5 Years · Sem 1
2022-23 Examination
munotes.in
Mumbai
First published on munotes.in on 10 August 2026.
Published by munotes.in, Mumbai.
Model answers written and edited by the munotes.in editorial desk.
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The University does not publish an official answer key for this paper. The answers in this volume are model answers, written to show how a full-mark answer is built. They are a study aid, not an authority on what an examiner marked.
The question paper reproduced here is the paper as set by the University of Mumbai at the 2022-23 examination.
The questions below are the paper as the University of Mumbai set it at the 2022-23 examination, in the order it was set.
MarksPage
MarksPage
The questions in this volume are the questions asked at the 2022-23 examination, reproduced as the University of Mumbai set them, in the order it set them. Nothing has been reworded, added or left out. Only the answers are ours. See the original question paper.
Duration 2 hours · Total marks 75 · 21 questions answered
Instructions printed on the paper
How to use this volume
Solve the paper first, under exam conditions and against the clock. Then read the answers here and mark your own. Reading a solution before attempting the question feels productive and teaches very little, because recognising an answer is not the same as being able to write one.
Question 1.A) Answer the following questions in two sentences only
Any Four · (08 marks)
Answer
The words are Dr B. R. Ambedkar's, from his broadcast "Why Indian Labour is Determined to Win This War", delivered from the Bombay station of All India Radio while he was Labour Member of the Viceroy's Executive Council.
The scheme referred to is parliamentary democracy as it had come to be practised: a form of government, in his words, in which the function of the people has come to be to vote for their masters and then leave them to rule. Labour, he says, regards that as a travesty of government by the people, and wants a government that is government by the people in name as well as in fact.
Answer
The speaker is Antonio, the merchant, in the trial scene of Shakespeare's The Merchant of Venice (Act IV, Scene i).
The circumstances are these. Shylock has searched the bond for a provision requiring a surgeon to be at hand and answered, "I cannot find it; 'tis not in the bond." Portia, sitting as Balthazar, then turns to the defendant and asks, "Come, merchant, have you anything to say?" Antonio's reply is this line: he has little to say, because he is resigned to death and ready for it.
Answer
The speaker is Parson Abraham Adams, the curate, and the lines are from Book IV, Chapter II of Henry Fielding's Joseph Andrews.
What he meant is a pun, and both halves must be given. Lady Booby has ordered him to publish the banns of Joseph and Fanny no more, and when he will not agree she threatens to recommend to "your master, the doctor" that he "discard you from his service" — that is, to have the rector who holds the living turn him out of his curacy and his livelihood. Adams answers that he does not know those terms in that sense, because he is in the service of a Master who will never discard him for doing his duty; and if the doctor turns him from his cure, God will provide him another.
Answer
The speaker is David "Pudd'nhead" Wilson, the lawyer of Dawson's Landing, in Mark Twain's Pudd'nhead Wilson.
The revelation is the exchange of the two babies in the cradle. Comparing his fingerprint slides during the murder trial, Wilson discovers that the man raised as the heir Tom Driscoll is in fact Roxy's son, and that the man treated all his life as the slave Chambers is the true heir, Thomas à Becket Driscoll. The switch was made in infancy by Roxy, and the whole town had lived with it unsuspected for twenty-three years.
Answer
The speaker is Sarah Stone, a widow who kept a small shop licensed to sell tobacco, snuff and tea in Church Lane, Stoniton, and the lines are from Chapter XLIII, "The Verdict", of George Eliot's Adam Bede — the chapter containing the assize trial of Hetty Sorrel for child murder.
The context is her evidence. Having taken Hetty in and seen the child born in the night, Sarah Stone grew afraid the young mother was feverish and went out, about half past eight on a very dark night, to fetch an experienced woman. She left by the back door into the alley, leaving the prisoner sitting up by the fire in the kitchen. She was gone an hour and a half, and when she returned the candle was burning just as she had left it, and the prisoner and the baby were both gone.
Question 1.B) Do as directed
04 marks
Answer
Answer: He said that if they dealt fair with him and his party they would not regret it, but he warned them that if they tried any tricks, God alone could help them.
The changes made, and why:
| Change | Reason |
|---|---|
| Two halves, two treatments | The first is a conditional promise, the second a conditional threat. They are joined by but, and each needs its own connective. |
said becomes said that ... but warned them that | A statement takes that; the second half is a warning, and naming it as one carries the tone the inverted commas used to carry. |
you becomes they; us becomes him and his party | Pronouns follow the persons reported, not the speaker. |
| Change | Reason |
|---|---|
deal becomes dealt; will not becomes would not; try becomes tried | Backshift throughout, because the reporting verb is past. |
God help you becomes God alone could help them | An optative (a wish or invocation) cannot be reported as a statement. It is turned into reported form with a verb such as prayed, invoked or, where it is plainly a threat, warned. |
Answer
Answer: Somebody has ruined my client's hopes and prospects.
In the context of the passage, the better answer is: Mr Pickwick has ruined my client's hopes and prospects.
The changes made:
Answer
Answer: Shyam broke the glass, didn't he?
The rule applied: the statement is positive, so the tag is negative. The sentence contains no auxiliary, so one must be supplied: the verb broke is simple past, which takes did, contracted with not to didn't. The subject Shyam becomes the pronoun he.
Question 2) Write short notes on
Any Two · (12 marks)
Answer
Portia is the heiress of Belmont in Shakespeare's The Merchant of Venice, and the most capable person in the play. In the trial scene she appears in the Court of Venice disguised as Balthazar, a young doctor of laws, on a letter procured through her cousin Doctor Bellario of Padua. Nobody there knows who she is, including her husband Bassanio and Antonio, whose life is in her hands.
1. Intelligent, and legally exact. She does not attack the bond as unjust. She reads it, and finds that it gives Shylock a pound of flesh and not one drop of blood, and that he must take an exact pound or forfeit everything. The case turns on strict construction of a document, which is the most lawyerly skill there is.
2. Prepared. She has Bellario's notes, and she knows the alien statute before she enters the court.
3. Composed under pressure. She holds her nerve through a scene in which her husband is present, her identity is at risk, and a man's life hangs on her timing.
4. Eloquent. The speech beginning "The quality of mercy is not strain'd" is not decoration: she offers Shylock a way out before she closes the trap.
5. Fair in form and merciless in effect. She confirms the bond, invites him three times to take the money, lets him refuse each offer on the record, and allows the case to run until Antonio's shirt is open and the knife is ready. Only then does she produce the reservation.
6. Firm about the rule of law. Begged by Bassanio to "wrest once the law to your authority; to do a great right, do a little wrong", she refuses: "It must not be. There is no power in Venice can alter a decree established."
7. Playful and resourceful. The ring trick that follows shows the same intelligence turned to comedy: she takes Bassanio's ring as her fee and afterwards convicts him of parting with it.
8. Constrained, for all her power. She is bound by her dead father's will to marry whichever suitor chooses the right casket, and can neither choose nor refuse.
Portia is a brilliant advocate impersonating a judge. As advocacy her performance is faultless. As judging it is indefensible, and a law student should be able to say why: she holds no qualification, she sits on a letter procured by her own side, she is the wife of the defendant's closest friend, she conceals her identity, and she springs an alien statute after judgment on which Shylock has had no notice and no opportunity to answer.
Answer
John Franting is the victim in Arnold Bennett's short story "Murder!", and the man whose character supplies the motive for the crime. He is set in deliberate contrast with Lomax Harder, the mild poet who kills him.
1. Physically formidable. A dozen years earlier he had been perhaps the finest amateur boxer in England, and he bewildered his opponents by being left-handed. Bennett establishes his physical dominance before it becomes a fact about the plot.
2. Brutal in temperament. He is a bully in his dealings and in his affections, and it is his treatment of Emily, the woman both men care for, that gives Harder a motive.
3. Coarse and insensitive. Where Harder is refined and inward, Franting is loud, worldly and blunt. He has no interest in what Harder values and no capacity to understand a man like him.
4. Domineering, and used to winning. He has always got his way by force of body and force of manner, and has never had to find another method.
5. Careless to the point of fatal confidence. He cannot conceive that the quiet poet in front of him is a danger. The misjudgment kills him, and it is entirely in character: a man who has always been the strongest in the room does not look for other kinds of strength.
Franting exists to make the reader's sympathies unreliable. He is unpleasant enough that his death is not much mourned, which tempts the reader into a comfortable position, and Bennett then makes that comfort the subject. The story carries a single blunt word for a title precisely so that nobody can slide past what has happened by attending only to what the victim deserved.
Answer
Dr A. P. J. Abdul Kalam tells the story of Steven in his prescribed essay "The Joy of Reading", published in The Righteous Life: The Very Best of A. P. J. Abdul Kalam (Rupa, 2014). The essay is an argument, not a memoir, and its argument is that books are the cheapest and most reliable instrument of self-transformation available to an ordinary person. Kalam supports it with his own reading — he names Lillian Watson's Light from Many Lamps, bought in 1953 and kept all his life, and Alexis Carrel's Man the Unknown — and with the stories of named individuals whose direction in life was changed by what they read. Steven is one of those individuals; the other, set separately in other sittings, is V. Kathiresan.
Kalam narrates them to a fixed design, and the design is the substance of the answer. Elsewhere in the essay he sums up such a life in one sentence, which another sitting prints as a quotation: "What extraordinary commitment and dedication had helped him to acquire the right skills in his leisure time and changed the course of his life." Take that apart and you have five stages:
1. Ordinary, unpromising circumstances. No advantage of birth, money or schooling. If the person were exceptional, the story would prove nothing.
2. An encounter with a book, or with somebody who puts one in his hands. Nothing dramatic; somebody simply begins to read.
3. Use of leisure hours. The heart of it, and Kalam's own phrase. The person does not leave his work or find a patron. He uses the hours after work, for years.
4. Acquisition of a real skill or qualification — something that can be examined and certified, not general improvement.
5. A changed life, and a lesson: the outcome is available to anybody who will do the same thing, which is why the story is told at all.
V. Kathiresan was Kalam's driver at the Defence Research and Development Laboratory in Hyderabad in the late 1980s. Kalam noticed that in the hours of waiting he was reading newspapers, magazines and books, and encouraged him to study further. His duty ran from about ten to five, and he studied in the evenings: tenth standard, then higher secondary, then a B.A. in History and an M.A. in History from Madurai Kamaraj University. He became an assistant professor of History.
1. Reading is a method, not a pastime. The ordinary hours of an ordinary week are enough, if used. 2. Access, not ability, separates readers from non-readers — which is why the same essay argues for home libraries. 3. One person's encouragement can be decisive, and Kalam presents that as a duty rather than a kindness. 4. The outcome is repeatable. A story about a great man proves that great men exist; a story about a driver proves what is available to a reader.
Answer
Soapy is the homeless man of O. Henry's "The Cop and the Anthem". Winter is coming to Madison Square and he needs three months' lodging. He refuses the charity of the shelters and missions, where a bed is paid for with "humiliation of the spirit" — questions about his private life, a bath, a sermon — and settles on Blackwell's Island, the workhouse prison, which asks nothing of his self-respect. His whole plan is to get himself arrested.
Every attempt fails. He dines without money and is thrown out rather than charged; breaks a window and is not believed because he did not run; behaves offensively to a woman who turns out to be willing; shouts and sings and is taken for a college boy celebrating; takes an umbrella from a man who had taken it himself.
Walking east on a quiet street he stops outside an old church, where an organist is practising, and through the window comes an anthem he had known as a boy, when his life had mothers and roses and ambitions and friends and clean thoughts and clean collars.
The music, the moonlight and the quiet street produce in him "a sudden and wonderful change". He sees with horror the pit into which he has fallen: the degraded days, the dead hopes, the wrecked faculties and the base motives that make up his existence. In an instant he resolves to pull himself out of the mire: he will find the man who once offered him work, be somebody in the world, conquer the evil that has taken him. Tomorrow he will go into the roaring downtown district and find work.
At that moment a policeman's hand falls on his arm. Asked what he is doing there, Soapy answers "Nothin'", and is arrested for loitering. The next morning the magistrate gives him three months on the Island — precisely what he had spent the whole day failing to obtain.
1. It is genuine, not a device. O. Henry gives it the fullest and most serious writing in the story, and nothing suggests Soapy is deceiving himself.
2. It is produced by memory, not by punishment. Neither the police nor the missions could reach him; a tune he knew as a child did it in a moment. The story sets internal reform against external coercion and finds the first far the stronger.
3. It comes too late by minutes, and that is the point. The arrest is not punishment for the day's offences, of which the officer knows nothing. It is punishment for standing still, in shabby clothes, outside a church at night.
4. It leaves the sharper question open. Three months will take Soapy past the winter, which is what he wanted, and past the one moment in the story when he wanted to change. O. Henry does not tell us whether the resolve survives it.
Question 3.A) Application or letter
06 marks
Answer
Dr Aditi Sharma
14, Shanti Nivas, Dadar (West)
Mumbai 400028
aditi.sharma@email.com | +91 98XXXXXX213 April 2023
The Principal
Government Law College
"A" Road, Churchgate, Mumbai 400020Subject: Application for the post of Assistant Professor of Law (Advertisement No. GLC/REC/2023/04)
Sir/Madam,
I wish to apply for the post of Assistant Professor of Law advertised by the College in The Times of India of 26 March 2023, and I enclose my bio-data for your kind consideration.
I hold an LL.M. in Constitutional and Administrative Law from the University of Mumbai (2018) and a Ph.D. on the doctrine of legitimate expectation in Indian administrative law (2022). I qualified in the UGC-NET (Law) in 2018 and satisfy the qualifications prescribed by the Bar Council of India and the University Grants Commission for the post.
I have taught for four years at ____ Law College, Mumbai, where my subjects have been Constitutional Law, Administrative Law and Legal Method. I have seven publications in peer-reviewed journals and two chapters in edited volumes, and I have presented papers at six national and two international conferences.
Beyond teaching and research I have been closely involved in clinical legal education, having run a legal aid clinic for three years in association with the District Legal Services Authority, and I have served as a faculty adviser to a Moot Court Committee. Given this College's long tradition in both, I should welcome the opportunity to continue that work here.
My bio-data, list of publications and copies of my testimonials are enclosed. I would be glad to appear before the Selection Committee at any date convenient to the College.
Thanking you,
Yours faithfully,
Aditi SharmaEncl.: 1. Bio-data. 2. List of publications. 3. Attested copies of degrees and the UGC-NET certificate.
---
BIO-DATA
Name: Dr Aditi Sharma
Address: 14, Shanti Nivas, Dadar (West), Mumbai 400028
Contact: +91 98XXXXXX21 | aditi.sharma@email.com
Date of Birth: 3 July 1993Educational Qualifications
Examination University Year Result Ph.D. (Law) University of Mumbai 2022 Awarded UGC-NET (Law) UGC 2018 Qualified LL.M. (Constitutional and Administrative Law) University of Mumbai 2018 72% B.L.S. LL.B. University of Mumbai 2016 68% Teaching experience: Assistant Professor (ad hoc), ____ Law College, Mumbai, 2019 to date. Subjects: Constitutional Law I and II, Administrative Law, Legal Method.
Research: Seven articles in peer-reviewed journals; two chapters in edited volumes; eight conference papers.
Other work: Legal aid clinic with the District Legal Services Authority; faculty adviser, Moot Court Committee.
Areas of interest: Constitutional law, administrative law, legal education.
Languages: English, Hindi, Marathi.
References: Prof. ____, Head of Department, ____ Law College; Prof. ____, Faculty of Law, University of Mumbai.
Declaration: I hereby declare that the particulars given above are true to the best of my knowledge.
Place: Mumbai
Date: 3 April 2023 Aditi Sharma
Answer
A note on the question as printed. It reads "frequent supply of electricity", which is plainly a slip for infrequent supply — nobody complains of having too much electricity. Answer it as a complaint about irregular and interrupted supply, and do not waste a line pointing the error out.
Aditi Sharma
14, Shanti Nivas, Dadar (West)
Mumbai 400028
+91 98XXXXXX21 | aditi.sharma@email.com3 April 2023
The Ward Officer
G/North Ward, Municipal Corporation of Greater Mumbai
Dadar (West), Mumbai 400028Subject: Frequent interruption of electricity supply and non-working street lights, Ranade Road, Dadar (West)
Sir/Madam,
I write on behalf of the residents of Shanti Nivas and four adjoining buildings on Ranade Road to bring to your notice the repeated interruption of electricity supply in our locality, and to request your intervention.
The position is as follows. Since 1 February 2023 the supply has failed on twenty-six days, usually between 7.00 p.m. and 11.00 p.m., and on nine of those days for more than four hours at a stretch. On 12 March 2023 the area was without power from 6.30 p.m. until 1.15 a.m. The failures follow no pattern and no notice of them is given, which is what makes the situation unmanageable: residents cannot plan, and students preparing for the April examinations cannot work.
In addition, eleven street lights on Ranade Road and the internal lane have not worked since January, and the feeder pillar near the junction stands open with its wiring exposed.
The consequences. About 120 families are affected. Lifts fail with residents inside them, and two elderly residents have been trapped; water pumps do not run, so the overhead tanks are not filled; and an unlit lane with an open feeder pillar in it is a danger to children and to anyone returning at night.
Steps already taken. Complaints were lodged with the supply company on 8 February 2023 (No. 44210) and 19 March 2023 (No. 47338), and a written representation was submitted at the ward office on 26 March 2023. No inspection has been carried out and no reply has been received.
I therefore request that:
1. the ward electrical department inspect the locality and secure the open feeder pillar at once, as it is a present danger;
2. the eleven street lights on Ranade Road be restored, this being a municipal responsibility;
3. the matter be taken up with the licensee supplying this area, and the residents be informed in writing of the cause of the failures and the steps taken.
Reliable electricity and lit public streets are basic to the safety of a residential area, and the residents would be grateful for your early intervention. I shall gladly accompany your officers on inspection at any time convenient to them.
Thanking you,
Yours faithfully,
Aditi Sharma
(Secretary, Shanti Nivas Co-operative Housing Society)Copy to: The Assistant Engineer (Electrical), G/North Ward; the Nodal Officer of the supply licensee.
Question 3.B) Precis or speech
06 marks
Answer
Gandhi on his entrance into Congress politics at Amritsar; his attendance at the previous Congress; the informal gatherings of Lokamanya, Deshabandhu and Pandit Motilalji in connection with the Punjab inquiry; his appointment as one of the trustees of the fund of about five lakhs collected for the memorial; Pandit Malaviyaji's reputation as the prince among beggars for the public cause; Gandhi's own capacity discovered in South Africa; the generous citizens of Bombay subscribing liberally; and the question of what kind of memorial to erect on the ground, given that the three communities are at present divided rather than bound in a bond of amity and love, so that the nation is at a loss as to how to utilize the memorial fund.]
Gandhi regarded the Amritsar session as his real entrance into Congress politics; his attendance at earlier sessions had been little more than an annual renewal of allegiance, with no work cut out for him and none desired. Amritsar showed him that he had an aptitude the Congress could use. The senior leaders, pleased with his work on the Punjab inquiry, began inviting him to the informal gatherings at which the Subjects Committee's resolutions were framed, and to which only those in the leaders' confidence were called. Two tasks then engaged him, one being the memorial to the Jallianwala Bagh Massacre, for which the Congress had resolved to raise about five lakhs and had made him a trustee. Since princely donations were out of the question, the collection fell chiefly on him. Bombay subscribed liberally and the trust stands in credit, but the country cannot agree what to build, the Hindus, Musalmans and Sikhs being now divided.
1. The passage runs to about 330 words, so a little under half of it, about 150, is what the question asks for.
2. Its three movements were identified, and the precis keeps them in order:
3. Names were kept only where they carry the argument. The senior leaders are compressed into "the senior leaders"; Malaviyaji is dropped, because his reputation as a collector is an aside supporting a point the precis makes directly, that the responsibility fell on Gandhi.
4. The self-deprecation was compressed, not deleted. Gandhi's remark that he lacked the unrivalled magic for commanding princely donations, and his discovery of his own capacity in South Africa, are reduced to the clause that does their work: the collection fell chiefly on him.
5. It is in the third person, in the writer's own words, in one connected paragraph, and introduces nothing outside the original.
Answer
Speech at the first meeting of the Cultural Committee
Respected Principal, respected faculty adviser Prof. ____, members of the Cultural Committee, and my dear friends.
Good afternoon to you all.
A word of thanks. I stand before you as your newly elected Secretary, and my first duty is the most pleasant one: to thank you for the confidence you have placed in me. I am grateful to the Principal and to our faculty adviser for their guidance, and to the outgoing Committee, whose work last year has left us a great deal to build on.
What this Committee is for. A law college teaches us to read, to argue and to appear. The Cultural Committee looks after everything else: the annual festival, the intercollegiate competitions, the music, drama, debate and dance that make five years here something more than a course of study. Those are not distractions from our training. A student who has stood on a stage is a student who will one day stand up in court without her voice shaking.
What I propose for this year. Three things, briefly.
First, an annual calendar published in the first month, so that events are known in advance and nobody has to choose between a rehearsal and a submission.
Second, participation before performance. I would like every one of the five years represented in at least one event, and the first-year students brought in from the beginning rather than in their second year.
Third, accounts placed before this Committee after every event. The funds are the college's and the students', and they should be accounted for openly.
What I ask of you. Ideas, and hands. This Committee will be judged by what it puts on, not by what it plans, and there is a great deal of work between the two. My door and my telephone are open to any member of this college with a suggestion.
Let us make this a year the college remembers. Thank you.
Question 4) Answer any three of the following questions and illustrate your answer with reference to the text
39 marks
Answer
Bardell against Pickwick is the action for breach of promise of marriage tried in the Court of Common Pleas in Charles Dickens's The Pickwick Papers. Mrs Martha Bardell, a widow and Mr Pickwick's landlady in Goswell Street, claims £1,500. What had actually happened was that Mr Pickwick, at length and very clumsily, was telling her he intended to engage a manservant, Sam Weller; she understood him to be proposing marriage and fainted into his arms, in which posture his three friends discovered him. On that misunderstanding the attorneys Dodson and Fogg build an action.
| Person | Role |
|---|---|
| Mrs Martha Bardell | Plaintiff |
| Mr Samuel Pickwick | Defendant |
| Dodson and Fogg | Plaintiff's attorneys, acting on speculation |
| Serjeant Buzfuz | Leading counsel for the plaintiff |
| Person | Role |
|---|---|
| Serjeant Snubbin | Counsel for the defendant |
| Mr Phunky | Junior for the defendant |
| Mr Justice Stareleigh | The judge, a very short and very stout man |
| Thomas Groffin, Richard Upwitch | The chemist and greengrocer pressed into the special jury |
1. Two notes, produced as love letters: "Dear Mrs B., Chops and Tomata sauce. Yours, Pickwick", and one about not being at home till to-morrow and not troubling herself about the warming-pan. Buzfuz treats the absence of any endearment as proof of a settled understanding.
2. Mrs Cluppins, who had gone up to the back room "in a permiscuous manner", overheard voices in the front, and denies that she listened — "I would scorn the haction" — on the ground that the voices forced themselves upon her ear. She is not cross-examined at all: Snubbin tells the court that Mr Pickwick wishes it stated that her account is in substance correct.
3. Winkle, Tupman and Snodgrass, the defendant's own friends, subpoenaed by the plaintiff, who confirm only that they found Mrs Bardell in Mr Pickwick's arms. Winkle is reduced to helplessness and does his friend enormous harm.
4. Sam Weller, called for the defence: unshakeable, funny, and unable to prove anything, since he was in the passage and saw nothing.
1. The action was manufactured, not discovered. Dodson and Fogg take the case on speculation, so that Mrs Bardell pays nothing unless she wins, and they say so to Mr Pickwick's face. Sam Weller gets that fact into evidence in cross-examination, by reporting that the ladies at Mrs Bardell's had admired the attorneys for taking the case on spec and charging nothing unless they got it out of Mr Pickwick. Dodson and Fogg turn red, and Buzfuz abandons his own witness.
2. Advocacy replaces evidence. Buzfuz's opening is a masterpiece of its kind: a desolate widow, a home broken up, chops and tomato sauce as the language of a deliberate seducer. There is no evidence of a promise at all, and the speech exists to make the jury forget that they have been asked for one.
3. The judge does not judge. Mr Justice Stareleigh is deaf, irritable and chiefly anxious to finish. He mishears names, muddles Winkle's evidence, and reserves his energy for the dignity of his court, remarking that had the disturber been pointed out, "I would have committed him instantly." He never once restrains Buzfuz.
4. The jury is empanelled without regard to what it costs them. Only ten special jurymen answer, so Buzfuz prays a tales and two common jurymen are pressed in. Groffin the chemist asks to be excused because his shop is in the hands of an errand-boy who confuses Epsom salts with oxalic acid; the judge tells him that a man who cannot afford an assistant "ought to be able to afford it", and orders him sworn.
5. The defence is not put. Snubbin is competent but disengaged; Phunky, examining Winkle, opens a door through which Buzfuz walks. Mr Pickwick's defence — that he was talking about a servant — is true, absurd and unprovable, and nobody makes the jury feel it.
6. The verdict and its aftermath. The jury finds for the plaintiff with £750. Mr Pickwick refuses to pay a farthing and is committed to the Fleet Prison. There he finds Mrs Bardell, arrested by her own attorneys for their costs when the damages could not be got out of him, and he pays for her release. The lawyers are the only people who profit.
The proceedings are a study in how a court reaches a wrong result without anybody in the room telling a lie. Mrs Bardell genuinely believes she was proposed to; the witnesses genuinely saw what they describe; the judge genuinely wants order; the jury genuinely decides. What is missing is the one thing that would have exposed the case — an insistence on evidence of the promise itself — and no one present takes responsibility for supplying it.
Answer
In Mark Twain's Pudd'nhead Wilson, Judge York Driscoll is stabbed to death in his own house with an Indian dagger. The visiting Italian twins, Luigi and Angelo Capello, are found beside the body, Luigi holding the knife, and are charged with the murder. David "Pudd'nhead" Wilson appears for the defence. The question asks you to build the prosecution case, so build it properly and then show why it fails.
1. Presence at the scene. They were in the room with the dead man immediately after the killing, and the defence never disputed it.
2. Possession of the weapon. Luigi was holding the knife when the alarm was raised. Nothing comes nearer to a complete case than an accused holding the murder weapon over the body.
3. Ownership of the weapon. The Indian dagger was their own property, brought from abroad, shown about the town, and advertised as stolen with a reward, in terms that matched it exactly.
4. Motive: an established quarrel. Luigi had kicked Tom Driscoll at a public meeting, and the Judge had taken up his nephew's quarrel to the point of a challenge. The prosecution put it that Luigi had been warned he must kill or be killed at their next meeting.
5. Opportunity. They were in the house, at night, at the moment of the killing, with nobody else accounted for.
6. Two independent witnesses. Mrs Pratt, the Judge's sister, woke to running footsteps and found the accused standing over her murdered brother; Mr Rogers and Mr Buckstone came in behind her and gave confirmatory evidence.
7. Character and prejudice. They were foreigners in a small Southern town, mysterious in their origins, and the community was disposed to believe the worst. This is not evidence at all, but it operates as if it were.
8. No alternative suspect. Nobody else was seen; the household was asleep; and on the material available before Wilson's demonstration there was no other candidate.
1. Every one of those facts was true. Not a single prosecution witness lied, and no inference above is unreasonable. The chain was complete and it pointed at the wrong men.
2. Presence and possession are consistent with innocence. The twins came upon the body and Luigi picked up the knife — ordinary, human, and instantly fatal to them, because it is exactly what a guilty man would also be found doing.
3. Motive proves that somebody might have wished it, not that he did it. The quarrel was real; so was the quarrel of the real murderer, the Judge's own nephew and heir, deeply in debt to him.
4. There was no direct evidence of any kind. No eyewitness to the blow, no confession, nothing but the arrangement of the scene.
5. The defence's best point was ignored. At the twins' own request, Mrs Pratt, Rogers and Buckstone examined their hands and clothes on the spot, and found no bloodstains — on two men supposedly fresh from a stabbing at close quarters. It is a powerful fact, it is on the record, and the town simply did not hear it, because everyone had already decided.
Wilson does not attack the honesty of any witness. He accepts everything they say and finds one fact none of them noticed: the bloody thumb-print the murderer left on the handle. He explains that fingerprints are unique and unchanging — a "natal autograph" — and then proves the method in the room, having jurors make prints and identifying each from his slides, before comparing the disputed print. It matches neither twin, and it matches Tom Driscoll, sitting in the courtroom.
There was more than enough circumstantial evidence to convict the twins, and in any court without Pudd'nhead Wilson in it they would have been convicted: presence, possession, ownership, motive, opportunity, two eyewitnesses to the scene and the settled opinion of the town. What the novel demonstrates is that a complete circumstantial case is still an inference, and an inference can be wholly reasonable and wholly wrong. One physical fact, testable by the court itself, displaced the whole of it.
Answer
Arnold Bennett's "Murder!" is built on a pair. Lomax Harder is a poet; John Franting is a boxer. Harder kills Franting, and the woman between them is Emily. Bennett gives the two men opposite qualities at every point, and then arranges the plot so that every expectation the pairing sets up is inverted. An answer that treats them separately has missed the story; the characteristics only mean anything side by side.
| Lomax Harder | John Franting | |
|---|---|---|
| Occupation | Poet, a man of the study | Sportsman, formerly perhaps the finest amateur boxer in England |
| Body | Slight, unimpressive, physically negligible | Powerful, an athlete, and confusingly left-handed |
| Manner | Refined, quiet, courteous | Loud, coarse, blunt |
| Inner life | Deep, controlled, articulate | Almost none that the story shows |
| Lomax Harder | John Franting | |
|---|---|---|
| Feeling towards the other | A settled, controlled loathing | Contempt, and no sense of danger at all |
| Method | One act, prepared in secret | Force, used openly and habitually |
| Treatment of Emily | Love, unexpressed and helpless | Domineering and cruel |
| How each is seen by others | Incapable of violence | Capable of anything |
1. Deliberate. He goes to a shop, buys a revolver, invents a plausible reason for the purchase, and goes to find Franting. Every step is prepared.
2. Emotionally deep and outwardly controlled. His feeling for Emily is genuine and unspoken; his hatred of Franting is not temper but judgment.
3. Composed after the act, with great presence of mind, and he very nearly escapes altogether.
4. Protected by other people's assumptions. Nobody suspects him because nobody can picture him doing it. His mildness is his best alibi.
5. Undone by physical detail, when Dr Austin Bond is brought in because the ordinary methods fail against a man nobody suspects.
1. Physically formidable, and accustomed to winning by that alone.
2. Brutal in temperament, a bully in his dealings and in his affections.
3. Insensitive, with no capacity to understand a man like Harder.
4. Fatally confident. He cannot conceive that the quiet poet in front of him is a danger, and the misjudgment kills him. A man who has always been the strongest in the room does not look for other kinds of strength.
1. Bennett makes the reader's sympathies unreliable, on purpose. Franting is unpleasant enough that his death is not much mourned, and Harder is sympathetic enough that his motive feels almost respectable. The reader is thereby led into a comfortable position, and the story then makes that comfort its subject. The single blunt word of the title exists to prevent anyone sliding past what has happened.
2. The contrast attacks a real prejudice. The assumption under examination is that violence belongs to violent-looking people. Bennett shows a gentle, educated man commit a premeditated killing and very nearly walk away from it, precisely because he does not look the part.
3. Neither man is a moral simplification. Franting's brutality is real and explains the crime; Harder's refinement is real and does not excuse it. Bennett refuses to let either quality do the reader's judging.
4. The victim's own quality supplies the evidence. Franting is left-handed, which made him formidable in the ring, and it is physical detail of exactly that kind that unravels the crime.
The two men are a single design in two halves. Franting exists to make the killing intelligible and Harder to make it inexcusable, and Bennett balances them so finely that a reader who sympathises with the murderer and a reader who is appalled by him can both point to the text. That balance, rather than the plot, is what the story is for.
Answer
The question asks about one half of a figure who has always been read two ways: Shylock does a villainous thing, and he has been made into the man who does it. The best answer takes the prejudice seriously, sets out the evidence for it, and is honest that it explains his conduct without excusing it.
1. He is not called by his name. Through the trial scene he is "the Jew" far more often than Shylock. Portia's most famous question in it is "Which is the merchant here, and which the Jew?" — one party identified by his trade, the other by his religion.
2. The judge condemns him before the case opens. The Duke tells the court, before any evidence, that Antonio faces "a stony adversary, an inhuman wretch, uncapable of pity, void and empty from any dram of mercy."
3. He is abused in open court and never protected. Gratiano calls him a "damn'd, inexecrable dog" and tells him his desires are "wolvish, bloody, starv'd and ravenous", and the court does not once call him to order.
4. Antonio's conduct is admitted, not denied. On Shylock's uncontradicted account Antonio has spat upon his gaberdine, called him dog, and voided his rheum upon his beard on the Rialto. Asked to lend to such a man, Shylock puts the question: shall he say, "Hath a dog money?" Antonio answers: "I am as like to call thee so again, to spit on thee again, to spurn thee too."
5. His occupation was forced on him. Jews were barred from most trades, and lending at interest was forbidden to Christians and left to them. Antonio then "lends out money gratis and brings down the rate of usance", attacking the one trade Shylock is permitted.
6. His daughter is taken with the help of Antonio's circle, along with his money and the turquoise ring that had been his wife's, which he says he would not have given for a wilderness of monkeys.
7. He is required to abandon his religion. The judgment takes half his goods for the State and half for Antonio, and Antonio's "mercy" is that Shylock must become a Christian and settle his property on the daughter who robbed him. He answers "I am content", says he is not well, and never appears again.
1. He gives Shylock the argument, not merely the grievance. "Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" ends not in a plea for pity but in a conclusion: "The villainy you teach me I will execute." Nothing in the play answers it.
2. He gives him the strongest legal speech in the scene. Venice keeps slaves, whom you bought and use as your asses and your dogs; would you free them and marry them to your heirs? You answer, the slaves are ours. So the pound of flesh is his, dearly bought, and if you deny him, the law of Venice has no force.
3. He makes the prejudice ordinary rather than exceptional. It is not confined to one villain: the Duke, Gratiano, Antonio and the servants all share it, and none of them is presented as unusual for doing so.
4. He lets the Christians behave, at the moment of victory, exactly as Shylock predicted. They abuse a defeated man, strip him of his property and require him to change his faith. "The villainy you teach me I will execute" is confirmed within a hundred lines by the people who taught it.
An answer that presents Shylock only as a victim will be marked down, and rightly. The bond is a contract for a man's life; he refuses three thousand ducats, then six, then thrice the sum; he whets his knife on the sole of his shoe in open court and brings scales to weigh the flesh; and asked why, he can give no reason but that it is his "humour". Being wronged explains a man's hatred; it does not make that instrument anything other than monstrous.
Shakespeare's portrayal is neither an endorsement of prejudice nor an exoneration of Shylock. He stages the prejudice fully, gives its victim the language to indict it, gives him also the worst intention in the play, and declines to tell the audience what to conclude. The play does not say the trial was unjust; it shows us the trial and leaves the judgment to us.
Answer
Lawyer Scout is the country attorney in Henry Fielding's Joseph Andrews. Fielding introduces him in a sentence that should be quoted in full:
This Scout was one of those fellows who, without any knowledge of the law, or being bred to it, take upon them, in defiance of an act of Parliament, to act as lawyers in the country, and are called so. They are the pests of society, and a scandal to a profession, to which indeed they do not belong, and which owes to such kind of rascallions the ill-will which weak persons bear towards it.
He is not a lawyer at all. He is an unqualified man practising as one, and Fielding is careful to say that the profession is not what he is attacking.
Joseph Andrews, the footman who refused her, intends to marry Fanny Goodwill and settle in her parish. That morning she has failed with Parson Adams, who would not stop publishing the banns and told her, correctly, that Scout had advised him that a year's service gains a settlement. She called Scout an impudent coxcomb. In the afternoon she sends for him (Book IV, Chapter III).
1. He reverses his own legal opinion. Having told Adams that a person who serves a year gains a settlement, he now produces a chain of reasoning for the lady: Joseph is not "settled in fact"; if not settled in fact he is not an inhabitant; if not an inhabitant he is not of the parish; therefore the banns ought not to be published. He covers the change smoothly: what he told Mr Adams was "on a supposition that he was settled in fact."
2. He flatters the client's real motive while dressing it as public interest. He agrees that the parish has too many poor already and volunteers that "we ought to have an act to hang or transport half of them."
3. He blackens the bride. Asked what sort of dowdy Fanny is — having just been told that Adams called her the handsomest woman in the parish — he answers: "The ugliest creature almost I ever beheld; a poor dirty drab, your ladyship never saw such a wretch." Fielding tells us he had the material from Mrs Slipslop, whose gallant he was.
4. He identifies the true legal danger and moves to forestall it. This is the shrewdest thing he does. He tells her that "the subsequent marriage co-operating with the law will carry law into fact. When a man is married he is settled in fact, and then he is not removable." In other words: stop the wedding and Joseph can be removed; allow it and he cannot. The whole strategy follows from that single accurate observation.
5. He assures her that the law favours her. "The laws of this land are not so vulgar to permit a mean fellow to contend with one of your ladyship's fortune."
6. He names his instrument. The plan is to carry Joseph before Justice Frolick, who, "upon hearing your ladyship's name, will commit him without any farther questions."
7. He praises the magistrate for exactly the wrong reason, saying it is a blessing to the country that Frolick is in the commission because he has "taken several poor off our hands that the law would never lay hold on", and describing with relish how a man committed to Bridewell is "either starved or eat up by vermin in a month's time".
8. He promises to stretch the law where it does not reach. Asked to be rid of Fanny too, he admits the law is "a little deficient in giving us any such power of prevention", but adds that "the justice will stretch it as far as he is able, to oblige your ladyship."
9. He assumes Adams can be bought. He supposes the parson's only objection is losing his fee, and undertakes that "that being once made easy", the objection will disappear. He cannot conceive of a scruple that is not a price.
10. He executes. Joseph and Fanny are afterwards taken before Justice Frolick on a charge of cutting a hazel twig from a hedge, valued at threepence, and are committed. The charge is fabricated; the committal is real.
As a piece of practice it is effective, and that is what makes it frightening.
1. It is legally intelligent. The distinction between settlement in law and settlement in fact, and the observation that marriage would make Joseph irremovable, are real points. Scout is not ignorant; he is unprincipled, which is worse.
2. It is procedurally regular at every step. There is a settlement law; a justice may commit; damage to a hedge is an offence. Every step would survive being read out in order.
3. It is aimed at people who cannot answer. A dismissed footman and a young woman with no family, no money and no lawyer.
4. It requires a corrupt bench, and finds one. Justice Frolick is the necessary other half; a crooked practitioner is useless without a magistrate who will commit on a name.
5. It succeeds in the short term and fails in the novel, because Fielding will not let it stand: the plot eventually restores Joseph and Fanny and exposes the fraud.
Scout's strategy is to supply legal colour to a private malice — to find the form of law that will deliver what his client wants, and to procure a magistrate who will not look behind it. Fielding's phrase for such men is exact: they are "the pests of society, and a scandal to a profession to which they do not belong." But the deeper target is the arrangement that made Scout useful: a magistracy that committed on a name, and a settlement law that could be aimed at anybody without means.
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This volume prints the 2022-23 English 1 paper set by the University of Mumbai for BLS LLB 5 Years Sem 1, with a model answer to each of its 21 questions.
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10 August 2026.
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