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B.A. LL.B. (Five Years) Sem 10 Intellectual Property Rights II 2019 Jun Question Paper with Solutions

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Intellectual Property Rights II

Previous Year Question Paper with Solution

B.A. LL.B. (Five Years) · Sem 10

2019 Jun Examination

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Mumbai

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First published on munotes.in on 21 October 2026.

Published by munotes.in, Mumbai.

Model answers written and edited by the munotes.in editorial desk.

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The question paper reproduced here is the paper as set by Karnataka State Law University at the 2019 Jun examination.

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The Paper as Set

The questions in this volume are the questions asked at the 2019 Jun examination, reproduced as Karnataka State Law University set them, in the order it set them. Long reading passages are shortened to their first and last lines and our summary; the original paper prints them in full. Only the answers are ours. See the original question paper.

Duration 3 hours  ·  Total marks 100  ·  13 questions answered

How to use this volume

Solve the paper first, under exam conditions and against the clock. Then read the answers here and mark your own. Reading a solution before attempting the question feels productive and teaches very little, because recognising an answer is not the same as being able to write one.

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Q1What is copyright ? Explain the salient features of Copyright Act.[16]

Answer

For full marks, cover: the Act's origin (replacing the 1914 Act; in force 21 January 1958), its major amendments (1983, 1984, 1992, 1994, 1999, 2012; the Finance Act, 2017; the Tribunals Reforms Act, 2021; the Jan Vishwas Acts, 2023 and 2026) and its fifteen chapters; the main features chapter by chapter: definitions (Chapter I), the Copyright Office and the Board's history (Chapter II), what copyright is and where it subsists (Chapter III), ownership and dealings (Chapter IV), term (Chapter V), licences (Chapter VI), copyright societies (Chapter VII), broadcasters' and performers' rights (Chapter VIII), international copyright (Chapter IX), registration (Chapter X), infringement and exceptions (Chapter XI), civil remedies (Chapter XII), offences (Chapter XIII), appeals (Chapter XIV), moral rights and other matters (Chapter XV); an overall assessment; Indian Performing Right Society v. Eastern India Motion Pictures Association, Azure Hospitality, Gramophone, Knit Pro.

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Origin and growth

The Copyright Act, 1957 replaced the Indian Copyright Act, 1914, which had applied the British Copyright Act, 1911 to India. It came into force on 21 January 1958. It has been amended often:

  1. 1983 and 1984: compulsory licences for developing-country use; computer programmes added as literary works.
  2. 1992: term raised to life plus sixty years.
  3. 1994: performers' rights, copyright societies reformed, formalities for assignment.
  4. 1999: changes to meet TRIPS.
  5. 2012: the internet treaties, authors' royalty rights, statutory licences, the disabled, and moral rights widened.
  6. 2017 and 2021: the Copyright Board merged into the Appellate Board, which was then abolished.
  7. 2023 and 2026: the Jan Vishwas Acts omitted sections 68 and 67, two minor offences.

The Act has fifteen chapters.

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The main features, chapter by chapter

Chapter I: definitions (sections 1 to 8). It defines the key terms, such as adaptation, artistic work, author, cinematograph film and communication to the public. Computer programme, the classes of work, performer, sound recording and "work" are defined too. "Publication" means making a work available to the public by issue of copies or communication (section 3).

Chapter II: the Copyright Office (sections 9 and 10). The Copyright Office, under the Registrar of Copyrights, keeps the Register and handles registration. The Copyright Board of sections 11 and 12 was merged into the Appellate Board in 2017 and abolished in 2021. Its work now lies with the Commercial Courts and the High Courts.

Chapter III: copyright and its subject matter (sections 13 to 16).

  1. Copyright subsists in original literary, dramatic, musical and artistic works, cinematograph films and sound recordings (section 13).
  2. It is a bundle of exclusive rights, different for each class of work (section 14).
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  1. Registered designs are excluded, and unregistered industrial designs lose copyright after fifty reproductions (section 15).
  2. No copyright exists except under the Act (section 16).

Chapter IV: ownership and dealings (sections 17 to 21).

  1. The author is the first owner, subject to rules for employees, commissioned photographs and films, Government works and public undertakings (section 17).
  2. Copyright may be assigned in writing, wholly or partly, for any term and territory (sections 18 and 19). Authors keep an unwaivable royalty share in film and music uses.
  3. Unused assignments may be revoked (section 19A).
  4. A bequest of an unpublished manuscript carries its copyright (section 20).
  5. An author may relinquish his rights by notice (section 21).

Indian Performing Right Society Ltd. v. Eastern India Motion Pictures Association, AIR 1977 SC 1443. The question was who owned music composed for films.

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Held. A producer who commissions music for valuable consideration is first owner of it as part of the film. The composer keeps it for uses outside the film. The 2012 amendment has since strengthened composers' rights.

Chapter V: term (sections 22 to 29). Generally the author's life plus sixty years. Sixty years from publication applies to anonymous and posthumous works, films, sound recordings, Government works, works of public undertakings and works of international organisations.

Chapter VI: licences (sections 30 to 32B). Voluntary licences in writing (section 30). Compulsory licences for withheld, orphan and unpublished works and for the disabled (sections 31 to 31B). Statutory licences for cover versions and broadcasting (sections 31C and 31D). Translation and reproduction licences for developing-country needs (sections 32 to 32B).

Chapter VII: copyright societies (sections 33 to 36A). The business of issuing licences for works must be carried on only through a registered copyright society. Societies publish tariffs, which may be challenged before the Commercial Court (section 33A). They distribute fees among members and are accountable to them.

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Azure Hospitality Pvt. Ltd. v. Phonographic Performance Ltd., Delhi High Court, Division Bench, 15 April 2025. A music licensing body that was not then registered as a society sought to license sound recordings to hotels.

Held. Prima facie, the bar in section 33(1) is absolute. Anyone carrying on the business of issuing licences must do so through a registered society, whatever its ownership claim. The Bombay High Court has taken the opposite view, and the question is pending before the Supreme Court. The Centre re-registered the body as a society in 2026.

Chapter VIII: broadcasters and performers (sections 37 to 39A). Broadcasting organisations have a broadcast reproduction right for twenty-five years (section 37). Performers have a performer's right for fifty years, exclusive rights in recording and communication, a royalty right, and moral rights (sections 38 to 38B).

Chapter IX: international copyright (sections 40 to 43). The Central Government may extend protection to foreign works by order. The International Copyright Order, 1999 gives national treatment to works from Berne, Universal Copyright Convention, WTO and Rome countries.

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Chapter X: registration (sections 44 to 50A). A Register of Copyrights is kept, and registration is optional. Entries are prima facie evidence (section 48). The High Court may rectify the Register (section 50).

Chapter XI: infringement and exceptions (sections 51 to 53A).

  1. Infringement is doing a reserved act without licence, or dealing in infringing copies (section 51).
  2. A long list of acts is not infringement: fair dealing, education, libraries, the disabled, news and many more (section 52).
  3. The owner may have infringing imports detained by customs (section 53).
  4. Artists and authors of manuscripts share in resale prices of their originals (section 53A).

Gramophone Company of India Ltd. v. Birendra Bahadur Pandey, AIR 1984 SC 667. Cassettes said to be pirated arrived at Calcutta port in transit to Nepal.

Held. Goods brought into India even in transit are "imported", so the border remedy under section 53 as it then stood applied. Section 53 was later substituted in 2012 and now works through the Commissioner of Customs. It expressly excludes goods in transit (section 53(2)).

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Chapter XII: civil remedies and moral rights (sections 54 to 62). The owner gets injunctions, damages and accounts (section 55) and delivery up of infringing copies (section 58). Remedies against buildings are restricted (section 59), and groundless threats are actionable (section 60). Suits lie in the District Court where the plaintiff resides (section 62). The chapter also holds section 57, the author's moral rights. He may claim authorship and restrain distortion or mutilation prejudicial to his honour or reputation, even after assignment.

Chapter XIII: offences (sections 63 to 70). Knowing infringement is punishable with six months to three years and a fine (section 63). The Act also punishes repeat offences, use of pirated software, and circumvention of technological measures (sections 63A, 63B and 65A). Police may seize infringing copies without warrant (section 64).

Knit Pro International v. State of NCT of Delhi, Supreme Court, 20 May 2022. The question was whether the offence under section 63 is cognizable.

Held. Because it is punishable with up to three years, it is cognizable and non-bailable.

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Chapter XIV: appeals (sections 71 to 73). Orders of a Magistrate on seized copies may be appealed (section 71). Appeals from the Registrar of Copyrights lie to the High Court within three months (section 72, as substituted in 2021).

Chapter XV: miscellaneous (sections 74 to 79). The Registrar has a civil court's powers to summon witnesses and take evidence (section 74). His orders for money are executable as decrees (section 75). Action in good faith is protected (section 76). The Central Government makes rules, now the Copyright Rules, 2013 (section 78).

Overall assessment

The Act balances the interests of authors, producers, users and the public. It gives broad rights and strong remedies, offset by wide exceptions, compulsory and statutory licences, and collective licensing. Repeated amendments have kept it in line with Berne, TRIPS and the WIPO internet treaties. The open problems are digital piracy, the status of collecting bodies, and the absence of a specialised tribunal since 2021.

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Conclusion. The Copyright Act, 1957 protects original works, films and sound recordings automatically and for long terms. It does so through a bundle of exclusive rights owned first by the author. It regulates assignment and licensing, collective management, neighbouring rights and international protection, and balances them with exceptions and compulsory licences. Civil, criminal and border remedies enforce it, with appeals now to the High Court.

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