KSLU Solved Question Papers
Intellectual Property Rights II
Previous Year Question Paper with Solution
B.A. LL.B. (Five Years) · Sem 10
2012 Jun Examination
munotes.in
Mumbai
KSLU Solved Question Papers
Intellectual Property Rights II
Previous Year Question Paper with Solution
B.A. LL.B. (Five Years) · Sem 10
2012 Jun Examination
munotes.in
Mumbai
First published on munotes.in on 21 October 2026.
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The questions below are the paper as Karnataka State Law University set it at the 2012 Jun examination, in the order it was set.
MarksPage
MarksPage
The questions in this volume are the questions asked at the 2012 Jun examination, reproduced as Karnataka State Law University set them, in the order it set them. Long reading passages are shortened to their first and last lines and our summary; the original paper prints them in full. Only the answers are ours. See the original question paper.
Duration 3 hours · Total marks 100 · 20 questions answered
Instructions printed on the paper
How to use this volume
Solve the paper first, under exam conditions and against the clock. Then read the answers here and mark your own. Reading a solution before attempting the question feels productive and teaches very little, because recognising an answer is not the same as being able to write one.
Unit I
Answer
For full marks, cover: the Act's origin (replacing the 1914 Act; in force 21 January 1958), its major amendments (1983, 1984, 1992, 1994, 1999, 2012; the Finance Act, 2017; the Tribunals Reforms Act, 2021; the Jan Vishwas Acts, 2023 and 2026) and its fifteen chapters; the main features chapter by chapter: definitions (Chapter I), the Copyright Office and the Board's history (Chapter II), what copyright is and where it subsists (Chapter III), ownership and dealings (Chapter IV), term (Chapter V), licences (Chapter VI), copyright societies (Chapter VII), broadcasters' and performers' rights (Chapter VIII), international copyright (Chapter IX), registration (Chapter X), infringement and exceptions (Chapter XI), civil remedies (Chapter XII), offences (Chapter XIII), appeals (Chapter XIV), moral rights and other matters (Chapter XV); an overall assessment; Indian Performing Right Society v. Eastern India Motion Pictures Association, Azure Hospitality, Gramophone, Knit Pro.
The Copyright Act, 1957 replaced the Indian Copyright Act, 1914, which had applied the British Copyright Act, 1911 to India. It came into force on 21 January 1958. It has been amended often:
The Act has fifteen chapters.
Chapter I: definitions (sections 1 to 8). It defines the key terms, such as adaptation, artistic work, author, cinematograph film and communication to the public. Computer programme, the classes of work, performer, sound recording and "work" are defined too. "Publication" means making a work available to the public by issue of copies or communication (section 3).
Chapter II: the Copyright Office (sections 9 and 10). The Copyright Office, under the Registrar of Copyrights, keeps the Register and handles registration. The Copyright Board of sections 11 and 12 was merged into the Appellate Board in 2017 and abolished in 2021. Its work now lies with the Commercial Courts and the High Courts.
Chapter III: copyright and its subject matter (sections 13 to 16).
Chapter IV: ownership and dealings (sections 17 to 21).
Indian Performing Right Society Ltd. v. Eastern India Motion Pictures Association, AIR 1977 SC 1443. The question was who owned music composed for films.
Held. A producer who commissions music for valuable consideration is first owner of it as part of the film. The composer keeps it for uses outside the film. The 2012 amendment has since strengthened composers' rights.
Chapter V: term (sections 22 to 29). Generally the author's life plus sixty years. Sixty years from publication applies to anonymous and posthumous works, films, sound recordings, Government works, works of public undertakings and works of international organisations.
Chapter VI: licences (sections 30 to 32B). Voluntary licences in writing (section 30). Compulsory licences for withheld, orphan and unpublished works and for the disabled (sections 31 to 31B). Statutory licences for cover versions and broadcasting (sections 31C and 31D). Translation and reproduction licences for developing-country needs (sections 32 to 32B).
Chapter VII: copyright societies (sections 33 to 36A). The business of issuing licences for works must be carried on only through a registered copyright society. Societies publish tariffs, which may be challenged before the Commercial Court (section 33A). They distribute fees among members and are accountable to them.
Azure Hospitality Pvt. Ltd. v. Phonographic Performance Ltd., Delhi High Court, Division Bench, 15 April 2025. A music licensing body that was not then registered as a society sought to license sound recordings to hotels.
Held. Prima facie, the bar in section 33(1) is absolute. Anyone carrying on the business of issuing licences must do so through a registered society, whatever its ownership claim. The Bombay High Court has taken the opposite view, and the question is pending before the Supreme Court. The Centre re-registered the body as a society in 2026.
Chapter VIII: broadcasters and performers (sections 37 to 39A). Broadcasting organisations have a broadcast reproduction right for twenty-five years (section 37). Performers have a performer's right for fifty years, exclusive rights in recording and communication, a royalty right, and moral rights (sections 38 to 38B).
Chapter IX: international copyright (sections 40 to 43). The Central Government may extend protection to foreign works by order. The International Copyright Order, 1999 gives national treatment to works from Berne, Universal Copyright Convention, WTO and Rome countries.
Chapter X: registration (sections 44 to 50A). A Register of Copyrights is kept, and registration is optional. Entries are prima facie evidence (section 48). The High Court may rectify the Register (section 50).
Chapter XI: infringement and exceptions (sections 51 to 53A).
Gramophone Company of India Ltd. v. Birendra Bahadur Pandey, AIR 1984 SC 667. Cassettes said to be pirated arrived at Calcutta port in transit to Nepal.
Held. Goods brought into India even in transit are "imported", so the border remedy under section 53 as it then stood applied. Section 53 was later substituted in 2012 and now works through the Commissioner of Customs. It expressly excludes goods in transit (section 53(2)).
Chapter XII: civil remedies and moral rights (sections 54 to 62). The owner gets injunctions, damages and accounts (section 55) and delivery up of infringing copies (section 58). Remedies against buildings are restricted (section 59), and groundless threats are actionable (section 60). Suits lie in the District Court where the plaintiff resides (section 62). The chapter also holds section 57, the author's moral rights. He may claim authorship and restrain distortion or mutilation prejudicial to his honour or reputation, even after assignment.
Chapter XIII: offences (sections 63 to 70). Knowing infringement is punishable with six months to three years and a fine (section 63). The Act also punishes repeat offences, use of pirated software, and circumvention of technological measures (sections 63A, 63B and 65A). Police may seize infringing copies without warrant (section 64).
Knit Pro International v. State of NCT of Delhi, Supreme Court, 20 May 2022. The question was whether the offence under section 63 is cognizable.
Held. Because it is punishable with up to three years, it is cognizable and non-bailable.
Chapter XIV: appeals (sections 71 to 73). Orders of a Magistrate on seized copies may be appealed (section 71). Appeals from the Registrar of Copyrights lie to the High Court within three months (section 72, as substituted in 2021).
Chapter XV: miscellaneous (sections 74 to 79). The Registrar has a civil court's powers to summon witnesses and take evidence (section 74). His orders for money are executable as decrees (section 75). Action in good faith is protected (section 76). The Central Government makes rules, now the Copyright Rules, 2013 (section 78).
The Act balances the interests of authors, producers, users and the public. It gives broad rights and strong remedies, offset by wide exceptions, compulsory and statutory licences, and collective licensing. Repeated amendments have kept it in line with Berne, TRIPS and the WIPO internet treaties. The open problems are digital piracy, the status of collecting bodies, and the absence of a specialised tribunal since 2021.
Conclusion. The Copyright Act, 1957 protects original works, films and sound recordings automatically and for long terms. It does so through a bundle of exclusive rights owned first by the author. It regulates assignment and licensing, collective management, neighbouring rights and international protection, and balances them with exceptions and compulsory licences. Civil, criminal and border remedies enforce it, with appeals now to the High Court.
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