B.A. (Film, Television and New Media Production) Introduction to Direction and Drama Production Syllabus - Mumbai University
This is the SY BAFTNMP syllabus under NEP 2020, in force from the academic year 2025-26. The first two years of this degree are on NEP; the third year is still on the University's earlier CBSGS scheme, and it is marked as such on its own pages.
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Syllabus for Introduction to Direction and Drama Production
The University prints this paper as “Introduction to DIrection and Drama Production”.
Course objectives
- To introduce students to the artistic, narrative, and technical responsibilities of a film director
- To develop an understanding of cinematic language, blocking, visual storytelling, and actor direction
- To enable students to work collaboratively as directors across pre-production, shooting, and post-production phases
Course outcomes
- Conceptualize and visualize a script from a director’s perspective
- Direct short dramatic scenes with an understanding of spatial and performance dynamics
- Collaborate with key departments (camera, sound, production design, acting)
- 9
Module 1: Fundamentals of Film Direction 10 hours
- 1. Role and vision of a director
- 2. Understanding cinematic language: shot types, camera movement, scene geography
- 3. Visual composition and mise-en-scène
Module 2: Script Interpretation and Visualization 10 hours
- 1. Reading the script as a director: subtext, character intent, transitions
- 2. Visualizing the screenplay: storyboarding, mood boards, shot listing
- 3. Scene beats and tonal shifts
Module 3: Directing Actors and Performance 10 hours
- 1. Working with actors: script table reads, rehearsals, emotional beats
- 2. Blocking actors for performance and camera
- 3. Directing non-verbal cues: body language, silences, reaction shots
Module 4: Staging, Blocking, and Spatial Choreography 10 hours
- 1. 180-degree rule, eyeline matching, screen direction
- 2. Blocking actors for camera and light
- 3. Dynamic scene staging in limited spaces
- Practical: Students block and rehearse a two-character scene and record with basic camera setup
Module 5: Direction in Pre-Production and Production Phases 10 hours
- 1. Collaborating with DOP, art director, and sound team
- 2. Location planning and tech recces
- 3. Scheduling for directors: shot breakdown, unit planning
Module 6: Analysis and Directorial Style 10 hours
- 1. Viewing and discussion of key directorial sequences across world cinema
- 2. Comparative analysis of styles: naturalistic, stylized, handheld, static, ensemble, POV
- 3. Indian and international case studies:
- a. Satyajit Ray, Zoya Akhtar, Meghna Gulzar, Rajkumar Hirani
- b. Alfonso Cuarón, Greta Gerwig, Christopher Nolan, Chloé Zhao
Text Books and Reference Books
- 1. Michael Rabiger – Directing: Film Techniques and Aesthetics, Taylor & Francis
- 2. Chris Jones & Genevieve Jolliffe – The Guerilla Filmmaker’s Handbook, Continuum
- 1. Catliff & Granville – The Casting Handbook: For Film and Theatre Makers, Routledge
- 2. Stephen Cartwright – Pre-Production Planning for Video, Film and Multimedia, Taylor & Francis
- 3. Syd Field – Screenplay: The Foundations of Screenwriting, Delta
Cut from the University of Mumbai syllabus for B.A. (Film, Television and New Media Production), item 5.56 (N) of the Academic Council meeting of 20.05.2025 (NEP 2020), in force from 2025-26. Wording, module numbering and reading lists are as printed there.
The complete syllabus
This subject is cut from one of the University circulars below. Open the document if you want the whole thing rather than a single subject.