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Home / Syllabus / B.A. (Film, Television and New Media Production) / FY BAFTNMP / Semester 2 / Basics of Post Production

B.A. (Film, Television and New Media Production) Basics of Post Production Syllabus - Mumbai University

This is the FY BAFTNMP syllabus under NEP 2020, in force from the academic year 2024-25. The first two years of this degree are on NEP; the third year is still on the University's earlier CBSGS scheme, and it is marked as such on its own pages.

Basics of Post Production Syllabus.pdf
Vocational skill course · Semester 2 · FY BAFTNMP · 2 credits · 30 hours

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Syllabus for Basics of Post Production

Vocational skill course · Semester 2 · FY BAFTNMP · 2 credits · 30 hours

Course objectives

  • An editor’s job is to decide, 24/25/30 times a second, where the audience needs to be. Do we stay in a shot or transition to another, and if so, what shot and how do we get there? Working Side-by-side with the director to craft the movie that ultimately hits the screen – or your phone – editing is really about manipulating the audience, in the best possible way, all in the service of storytelling. In this class, we will study terminology and concepts, learning both the rules and how to break them, as we look at the aesthetics choices and the technological workflow for both picture and sound editing. We will examine the historical role of editing, from the earliest silent film through the digital revolution that has transformed moviemaking today.

Course outcomes

  • Upon completing this course, participants will have: ● Acquired a mastery of editing fundamentals, enabling them to make informed decisions 24/25/30 times a second. ● Developed the ability to balance adherence to traditional rules with the creative freedom to break them for impactful storytelling. ● Gained proficiency in the technological workflow of both picture and sound editing. ● Cultivated collaborative skills to effectively work alongside directors in shaping the final cinematic product. ● Acquired a historical perspective on the evolution of editing techniques from silent films to the digital revolution. ● Explored innovative editing techniques and technologies to stay current in the dynamic field of film editing.

Module 1: Introduction to Film Editing Theory

  • Historical overview of film editing from Lumiere Brothers to the digital revolution.
  • The manipulation of editing and its evolution over time.
  • Lev Kuleshov’s experiment and the language of cinema.
  • Understanding the editor's role as a storyteller and exploring narrative structure.

Module 2: Premiere Pro Basics and Editing Exercise

  • Familiarization with Premiere Pro interface features and functions.
  • Importing and organizing footage in Premiere Pro.
  • Basic editing techniques in Premiere Pro.
  • Watching and analyzing the work of a Master Editor.
  • Practicing and reviewing basic production techniques.

Module 3: Project: Interview Editing

  • Conducting interviews and filming classmates telling stories.
  • Basic production techniques applied in interview scenarios.
  • Editing a two-minute version of the interview project.

Module 4: Effective Editing and Workflow Efficiency

  • Overview of the modern editing process.
  • Efficient editing habits for speed and creativity.
  • Configuring factory-standard systems and optimal media management.
  • Non-linear editing concepts and the interface of NLE systems.
  • The Three-Point Edit and additional editing techniques.

Module 5: Advanced Editing Techniques

  • Working in the timeline, transitions, keyframing, and filters.
  • In-depth exploration of compositing, color correction, and audio editing.
  • Titling techniques for effective storytelling.
  • Reviewing the editing process and looking forward to advanced concepts.

Reference Books

  • 1. "Grammar of the Edit" by Roy Thompson, Christopher J. Bowen - Focal Press, 2013. ISBN: 978-0240526003
  • 2. "Film Art: An Introduction" by David Bordwell and Kristin Thompson.
  • 3. "The Invisible Cut: How Editors Make Movie Magic" by Bobbie O’Steen.
  • 4. "Cut By Cut: Editing Your Film or Video" by Gael Chandler.
  • 5. "In the Blink of an Eye: A Perspective on Film Editing" by Walter Murch.
  • 6. "The History of Film Editing" by Karel Reisz, Gavin Miller.
  • 7. "On Film Editing" by Edward Dmytrk.
  • 8. "Film Editing: Great Cuts Every Filmmaker Should Know" by Gael Chandler.
  • 9. "First Cut: Conversations with Film Editors" by Gabriella Oldham.

Cut from the University of Mumbai syllabus for B.A. (Film, Television and New Media Production), item 5.3 (N) of the Academic Council meeting of 20.04.24 (NEP 2020), in force from 2024-25. Wording, module numbering and reading lists are as printed there.

The complete syllabus

This subject is cut from one of the University circulars below. Open the document if you want the whole thing rather than a single subject.

PDF BA FTNMP Sem I and II (2024-25) NEP NEP 2020 syllabus, in force from 2024-25 Read full PDF Read
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PDF BA FTNMP Sem III Field Project (2025-26) NEP NEP 2020 syllabus, in force from 2025-26 Read full PDF Read
PDF BA FTNMP Sem III Open Elective Ethics and Etiquettes in Digital Technology (2025-26) NEP NEP 2020 syllabus, in force from 2025-26 Read full PDF Read
PDF BA FTNMP Sem IV Open Elective Short Stories from the West (2025-26) NEP NEP 2020 syllabus, in force from 2025-26 Read full PDF Read
PDF BA FTNMP Sem I to VI (2017-18) CBSGS item 4.129 CBSGS syllabus, in force from 2017-18 Read full PDF Read
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