BA Marathi And English Sem III ATKT ENGLISH (PAPER II) Question Paper - Mumbai University | munotes
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Questions asked in this paper
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- Figures to the right indicate maximum marks for each question
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Q1 A_ Discuss how Jasbir Jain questions the narrow that. postcolonialism provides in her prologue titled, “From the personal to the political”
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Q1 B_ Show how Butalia brings out in her essay that there was more to the Partition than the stories of loss, violence and death 50 marks
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Q1 C_ Write short notes on any two of the following:
- (1) Meenakshi Mukherjee’s views on Raja Rao’s Foreword to his novel Kanthapura as evidenced in her essay titled “The Anxiety of Indianness”
- (ii) Butalia’s discussion of oral histories as a tool for research in feminist
- (iii) The contradictory phenomena of migration and cybercommunication and its impact on the perception of one’s homeland
- (iv) Jasbir Jain’s views on the contemporary novel
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Q2 A_ (i) How has Anita Desai juxtaposed two opposing cultures in Fasting, Feasting? 20 marks
- (ii) Uma’s is a life of sacrifice and suffering in a patriarchal world. Discuss this statement with reference to Fasting, Feasting
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Q2 B (i). How does Saradindu build up the suspense skilfully till the final denouement? Give specific examples from the text 20 marks
- (ii). Describe the secret lives led by the suspects and how do the revelations move the
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Q3 How does the narrator’s reaction differ from that of the others in Sarang’s “Revolt of the How does it reflect on the end of the story?
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Q3 Gita Hariharan’s story “The Remains of the Feast” is replete with irony. Discuss
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Q4 A_ Write short notes on any two: 20 marks
- (i) Anamika’s death
- (iii) The Patton family
- (iv) Mama’s clandestine meetings with the neighbour
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Q4 B_ Write short notes on any two: 20 marks
- (i) The role of music in the narrative
- (iii) The visit to the factory
- (iv) Madhav
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Q5 short notes on any two: 20 marks
- (i) The ending of Shashi Deshpande’s Awakening”
- (ii) The significance of the red sari in “The Remains of the Feast” (ili) Pali’s bewilderment when he is converted to different religions twice
- (iv) Sarang’s use of fabulism in “Revolt of the Gods”
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