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Bachelor of Social Work (B.S.W.) Introduction to Creative Arts Syllabus - Mumbai University

This is the syllabus of the College of Social Work (Empowered Autonomous), Nirmala Niketan, which is the only college offering the B.S.W. under the University of Mumbai. The college has been autonomous since 2019-20 and empowered autonomous since 2024-25, so it sets this syllabus and conducts these examinations itself, and the degree awarded is still a University of Mumbai degree. The University last set a common B.S.W. paper of its own in 2019; this is the current document, amended in June 2026.

Introduction to Creative Arts Syllabus.pdf
Co-curricular Course · Semester 2 · FY BSW · 2 credits

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Syllabus for Introduction to Creative Arts

Co-curricular Course · Semester 2 · FY BSW · 2 credits

About this course

This course is designed to introduce students to the foundational principles and practices of the Creative Arts, with a focus on Music, Dance, and Drama. Through practical engagement and critical reflection, students will explore how each discipline serves as a unique form of expression and communication. The course emphasizes the development of both subject knowledge and pedagogical understanding, enabling students to appreciate the value of the arts in education and society. By the end of the course, students will be equipped to plan and implement creative, developmentally appropriate learning experiences that foster artistic growth and engagement in diverse educational settings.

Course objectives

  • Develop foundational knowledge of the Creative Arts, focusing on Music, Dance, and Drama as distinct forms of representation, skill, and knowledge.
  • Gain an understanding of the content, concepts, and pedagogy across the different strands of the Creative Arts, with an emphasis on educational applications.
  • Demonstrate the ability to plan and implement developmentally appropriate and engaging creative arts learning experiences for diverse learners.

Learning outcomes

  • CO 77 Identify and describe the key elements of music, dance, and drama, including their historical and cultural contexts, as well as the roles of composers, choreographers, directors, performers, and audiences in each art form.
  • CO 78 Analyze the representation of core artistic elements — such as pitch, tone, structure, action, dynamics, and dramatic tension — across various works in music, dance, and drama from diverse times and cultures.
  • CO 79 Demonstrate an understanding of how the collaborative processes in music, dance, and drama contribute to the creation and performance of artistic works.
  • CO 80 Apply knowledge of artistic elements to critically assess and discuss performances, focusing on the impact of structure, dynamics, mood, and relationships in music, dance, and drama.

Unit I: Music and Dance

  • Music: - Scope of the music world including composers/musicians and conductors as makers of music, compositions and performances as musical works, roles of audiences including listeners, critics, concert attendees, etc., and the representation of musical elements including pitch, duration, structure, tone, colour and dynamics in different forms of musical works in a range of times and cultures
  • Dance: - Scope of the dance world including choreographers/dancers/performers as makers of dance, performances as dance works, roles of audiences including critics, performance attendees, etc, and the representation of dance elements including action, dynamics, time, space, relationships and structure in different forms of dance works from a range of times and cultures

Essential readings

  • Gibson, R. & Ewing, R. (2011). Transforming the curriculum through the arts. Camberwell, VIC: Palgrave Macmillan Gibson, R. & Ewing, R. (2011). Transforming the curriculum through the arts. Camberwell, VIC: Palgrave Macmillan.

Unit II: Drama Concepts

  • Scope of the drama world including directors/actors/performers as makers of drama, performances as drama works, roles of audiences including critics, performance attendees, etc., and the representation of the elements of drama including collaboration, role play, context, dramatic tension, contrast, time, space, focus and mood in different forms of drama works from a range of times and cultures

Essential readings

  • Gewing, R. & Simons, J. (2016). Beyond the script: Drama in the English and literacy classroom. Sydney: PETAA

Reproduced from Regulations and Syllabus of Bachelor of Social Work Degree (2023), Amended 2026, published by the College of Social Work (Empowered Autonomous), Nirmala Niketan, which is affiliated to the University of Mumbai and sets this syllabus itself. Wording is as printed in that document.

The complete syllabus

This subject is cut from the college's own syllabus document. Open it here if you want the whole thing rather than a single subject.

PDF BSW Syllabus (2023), Amended 2026 - College of Social Work (Empowered Autonomous), Nirmala Niketan Published by the College of Social Work (Empowered Autonomous), Nirmala Niketan Read full PDF Read
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