B.F.A. (Sculpture) Aesthetics Western Syllabus - Mumbai University
This is the University of Mumbai syllabus for B.F.A. (Sculpture), Circular No. UG/210 of 2004 dated 28 May 2004 (Ordinances 5324 to 5330, Regulations 4545 to 4568), in force from the academic year 2004-2005. Circular No. UG/353 of 2008 amended the Final Year ordinance, O.5329, and changed no subject. It is still the scheme examined: the University set the Summer 2026 papers on it — History of Art (83301) and Aesthetics (83302) in the Second Year, History of Art (83401) in the Final Year — and has published no later B.F.A. syllabus. The Third Year B.F.A. examination is conducted by the college recognised by the University of Mumbai, not by the University itself.
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Syllabus for Aesthetics (Western)
The University prints this subject as “Aesthetics ( Western)”, numbered 2 in the Third Year B.F.A. syllabus.
MU’s Education Pattern table and her scheme of papers both print this subject as “Aesthetics”, without “( Western)”. She also prints “renaissance period to 29th century”, with a superscript “th”; every thinker she then names died before 1970, so the 29 is a slip for the 20th century. Her wording is kept as printed.
Group I (Theory) Lectures per Academic Year: 80 hours
- Eminent aesthetics thinkers from classical, medieval, renaissance period to 29th century & their ideas theories about beauty. Renaissance approach to virtual art, Leo Baptista Albertti, Michealangelo, Leonardo da Vinci, Roger Fry, Clive Bell, Banartion, Lessing Croce, Sigmund Freud, Bullour, Sussane Langer, Leo Tostory, Rudolf, Arhime, Henri, Matisse Paul Klee, Westily Kandisky. Plato, Aristole, Plotenus, St. Thomas aguines.
Cut from the University of Mumbai syllabus for B.F.A. (Sculpture), Circular No. UG/210 of 2004, page 17 of that syllabus. Wording, spelling and numbering are as printed there. The University sets no reading list for this course.
The complete syllabus
This subject is cut from the University circular for the whole degree. Open the document here if you want the whole thing rather than a single subject.