Vide Item No 88 N11072022 O6833 O6834 Regulations 9625 to 9627 and the syllabus of Certificate Course in Sahityaratna Anna Bhau Sathes Works_1 Syllabus Mumbai University by munotes
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AC – 11/07/2022
Item No. –8.8(N)
University of Mumbai
Syllabus for
Certificate Course in Sahityaratna Anna Bhau Sathe’s
Works
(Choice Based Credit System)
(Introduced from the academic year 2022 -23)
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University of Mumbai
O:6833 Title of Course Certificate Course in Sahityaratna Anna
Bhau Sathe’s Works
O:6834 Eligibility Candidate who has passed 10+2
examination in Arts / Science / Commerce
R:9625 Duration of Course 6 months
R:9626 Intake Capacity 40 Students per batch
R:9627 Standards of Passing The candidate must obtain 40 % of the
total marks in external and internal
examination to pass the course
Level: P.G. / U.G./ Diploma / Certificate
Pattern: Yearly / Semester
Status: New / Revised
To be implemented from Academic
Year : To be implemented from the Academic
Year 2022 -2023
Signature: Signature:
Dr.Baliram N.Gaikwad
Chairman of Board of Studies Faculty of Dean
I/C Director
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Preamble
1) Introduction
2) Aims and Objectives
3) Learning Outcomes
4) Any other point (if any)
Syllabus - (A Certificate Course in Sahityaratna Anna Bhau Sathe’s Works)
Signature: Signature:
Dr.Baliram N.Gaikwad
Chairman, Board of Studies Faculty of Dean
I/C. Director
Page 6
University of Mumbai
“A Certificate Course in Sahityaratna Anna Bhau Sathe’s Works”
Syllabus (w.e.f. 2022 -23)
(Choice Based Credit System)
Prof. Baliram N. Gaikwad (Chairman)
1) Dr. Bhimrao Panda Bhosale (Member)
2) Dr. B. S. Waghmare (Member)
3) Dr. Sanjay Deshpande (Member)
4) Dr. Sonu Saini (Member)
5) Dr Ganesh Chandanshive (Member)
6) Dr. Mrinalini B. Chavan (Member)
Dr. Sanjay Deshpande (Convenor): Head, Dept of Russian and Eurasian Studies,
University of Mumbai
Dr. Yogesh Soman , (Member) : Academy of Theatre of Arts, University of Mumbai
Prof. (Dr.) Shivaji Sargar (Member) : Dept of English, University of Mumbai.
Prof. Gaurav Baburao, (Member) : Shivaji Universit y
Shri. Ravindra Gole (Member): Vivek Publication, Mumbai
Prof.Sunil Bandage, (Member): University of Pune
Shri.Sunil Ware (Member): Author, Thinker, Mumbai.
Shri. Kabir Das (Member): Tapi,Gujrat .
Shri. Shiva Kamble (Member): Zila parishad High School ,Malegaon, Nanded
Board of Studies in Sahityaratna Anna Bhau Sathe Study Centre
Syllabus Sub-Committee Members
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Syllabus
1 Title of the Course A Certificate Course in Sahityaratna Anna
Bhau Sathe’s Works
2 Eligibility for Admission Candidate who has passed 10+2 examination in
Arts / Science / Commerce
3 Intake Capacity 40 Students per batch
4
Passing Marks The candidate must obtain 40 % of the total marks
in external and internal examination to pass the
course
5 Selection First Come First Served Basis
6 Credits 04 Credits
7 Course 1
8 Duration of the Course 6 months
9 Number of Lectures 60 Hours
10 Fee Structure Rs 5,560/ -
11 Teaching Faculty
Qualification As per University Rules
12 Remuneration of Teacher As per University Rules
13 Medium of Teaching Bilingual: Marathi & English
14 Mode of Teaching Blended
15 Centre University of Mumbai
16 Programme Certificate
17 Pattern Yearly
18 Status To be implemented from the Academic Year
2022 -2023
Date:
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Signature:
Title : “A Certificate Course in Sahityaratna Anna Bhau Sathe’s Works”
Preamble :
A Certificate Course in Sahityaratna Anna Bhau Sathe’s Works, provides the
foundations of literary of work of Sahityaratna Anna Bhau Sathe and its profound impact
on socio -political ,cultural and literary sphere at national and international level .The
Certificate Course aims at imparting the literary genre written by Anna Bhau Sathe by
studying and analysing historical contexts , art , folk art , folks plays, drama, songs ,lavan i
, sonnets, novels, ballads, philosophy , political ideology and the pliability of language
to equip learners to extrapolate Anna Bhau Sathe as a literary figure and a political
leader in present epoch. Thus, the course will provide the basics of creative writing,
methods, fundamental principles, and the elements of Ann a Bhau Sathe’s work to the
aspiring learners.
Objectives :
The prime objectives of this course are:
1. To introduce learners to the ideas related to creative writing including the art, folk art
folks dramas, songs, lavani , sonnets and their creative performances.
2. To help learn/ read the principles of creative writing of Anna Bhau Sathe’s Works
3. To analyze the text of different literary genre produced by Anna Bhau Sathe
4. To interpret the literary texts contextually and critically.
5. To help learners to hone the creative and performative abilities.
Outcome:
1. Learners will be able to experiences the authentic outcome of the poetry forms found
Anna Bhau Sathe’s Works and implement it in projects and research work
2. Learners will be equipped with creative writings to seek employment in various
creative fields creative writing, social media etc.
3. Learners will be able to implement the facets of human different experiences, as the
outcome of the critical studies of Anna Bhau Sathe’s Works.
4. Learners will be capable of fostering moral values for just society by, decoding the
ideologies, and core themes of Anna Bhau Sathe’s Works.
5. Learners will be equipped to lead life in general, and to make innovative use of their
creative and critical faculties.
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Unit 1 : Background: Anna Bahu Sathe’s Work and Historical Context ( 15 lectures )
Anna Bhau Sathe ‘s Autobiographical elements and Social Struggle
Era of Freedom Struggle: Contemporary Social -political -cultural -economic
situation -Political Ideology of Anna Bhau Sathe.
Genres produced by Anna Bhau Sathe – Father of Folk Drama – Folk art.
Methods of Creative Writings in Anna Bhau Sathe work -Settings, Plot, and
characters use of Language, flexible use of local dialect, Proverbs, and Literary
Devices.
Shaping of Folk Art ( Gan , Lavani & Ballad ) and Folk Drama ( Vag Natya :
Katave,Shilkar ,Thakani , Sawal - Jawab & Bhairavi ) as Maharashtra’s Cultural
Heritage.
Movement for United Maharashtra.
Initial International Literary Exposure of Anna Bhau Sathe’s Work: Travelogue.
Unit 2: Fiction ( 15 lectures )
A) Vaijayanta
B) Fakira
Unit 3 : Folk Art : ( 15 lectures)
A) Lavani :
a) Maazee Maina Gavar Rahili : My beloved in Back in Village ( 1948)
b) Bai Mee Bangadi Maina : I am a Fragile Lass : (1959)
B) Ballads:
a) Maharshtrachi Parmapara : Traditions in Maharashtra (1947)
b) Alamanerche Hutatame : Martyrs from Amalaner (1949)
Unit 4: Folk Drama (15 lectures)
A) Social Satire
a) Khaprya Chor : A Thief of Trifles ( 1946)
b) Aklechi Gosht :Story of Cleverness (1945)
B) Political Satire: a) Pudhari Milala: Leader Found (1952)
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Evaluation Pattern:
I. Internal Assessment: (40 Marks)
Assignments/Projects:
i. Critical Appreciation of any literary text chosen in consultation with the concerned
teacher: 20 marks (15 min. + 5 min. Viva Voce)
AND
ii. Writing a piece of fiction - novella, story, play or poem with commentary on the
written text as well as the experience of writing: 20 marks (15 min. + 5 min. Viva
Voce)
Or
Critical appreciation of folk art / drama and Participation / Performance in the
same (Folk art / drama): 20 marks (15 min. + 5 min. Viva Voce)
II. Course End Assessment:
Duration: 2 hours Max. Marks: 60
Short notes question (3 out of 5) - Unit I 15 marks
Essay type question (1 out of 2) - Unit II 15 marks
Essay type question (1 out of 2) - Unit III 15 marks
Essay type question (1 out of 2) - Unit IV 15 marks
****
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References:
Primary Sources:
Novels
Aag ,Aghat ,Avadi ,Agnidivya , Ahankar ,Alhuji,Chandan,Chikhlat le kamal
Chitra ,Dole mOdat Radha Chale ,Fakira ,Fulpakhraoo ,Gulam ,Jivat Kadtus
Kavedy che Kanis ,Kurup,Makdicha Maala ,Mangala ,Master ,Mayura,Murti
Pazar ,Ranboka ,Rangada ,Ratna ,RupaSangarsha, Tara ,Vaijayanta ,Vair
,Warnecha Wagh and Warnechya Khoryat
Vganaty( One of the special elements of Folk Drama ).Lavani , Ballad , Ode and
Plays .
Aklechi Gosht ,Khapraya chor ,Shetajiche election ,Deshbhkata Ghotale, Niva
dunkit Ghotale,Bekaydesheer ,Mazi Mumbai Arthath Mumbai Konchi ,Muk
Mirvanuk,Nave Tamashe ,Pudhari Milala ,Lkamanyacha Daura ,Inamadar ( a play )
Bilander Budwa ,Dushkalat Terava , Sultan (Play), and Pengyche Laggen ( play )
(Anna Bhau Sathe : aparkashit Vnagamaya : ed: Dr Bhonsale ( Lekh Vachan
prakshan )
Travelogue: Majha Russiacha Pravas (My Journey to Russia) (1965)
Secondary sources:
Gaikwad, Asaram ( ed) :Lokshahir tatha Loklekh Anna Bhau Sathe sSandrabh
Granth Nasik : Zep Prkashan. 1996.
Gaurav Baburao : Anna Bhau Sathe : Samajvicharn Ani Sahitya Vivechan ,Bombay
Lokvangmaya Girha, 1991.
Jadhav , Kishor : Nilya Abhakstli Lal Tara: Comrade Anna Bhau Sathe Sahitya Ani
Rajkaran ,Pune Krabtidinh NanaPatile Academy, 1995.
Karhad Sada: Anna Bhawunche Katha. vishwa , Bombay ,Pragat Sahitya
,Sabha,1970 .
Kumbhar Nagaro ( ed) Sahir Anna Bhau Sathe ,Latur Prabhodhan ,Prakashan 1970.
Sathe Dinka Sahadev : He Sur alhinachi , Pune Vidyarthi Prakashan ,1977 Ann
Bahu's Biography.
Sathe Shankar Bhau : Maza Bhao Anna Bhau , Pune Sugava Prakashan ,1980,
Biography.
Vitekar V.B Asse Hote Anna Bhau Sathe .Biography.
FICTION, SHORT STORY, DRAMA VAGANATY, TRAVELOGUE ETC.
Arjun Dangale, ‘Prastavana’ Arjun Dangale (Sampa.) ‘Lokshahir AnnaBhau Sathe
: Nivadak Vadmay’ (Mumbai :Maharashtra Rajya Sahitya V Sanskruti Mandal,
1998) Akara – Satara.
Georg Lukacs ‘Critical Realism and Socialist Realism' Anand Prakash (Ed.)
Approaches in Literary Theory Delhi: Worldview Publications, 2002)110 -51.
Uttam Tupe Aani Sampat Jadhav (Sampa.) Anna Bhau Sathe : Samagra Vadmay’
(Pune : Pratima Prakshan, 2012) 6.
Bajrang Korade, ‘Anna Bhau Sathe’ (Anu Vilas Gite, Mumbai: Sahitya Akadami)
Page 12
80.
S.E.Dange, ‘Shahir: Prastaana’ Arjun Dangale (Sampa.) ‘Lokshahir Anna Bhau
Sathe : Nivadak Vadmay’ (Mumbai :Maharashtra Rajya Sahitya V Sanskruti
Mandal, 1998) 1140 -1.
Pra.Shri.Nerurkar, ‘Anna Bhau Sate Yanchi Shahiri’ Aasaram Gaikwad (Sampa.),
‘Lokshahir Anna Bhau Sate : Sandarbhagranth’ (Nashik : Zep Prakashan) 68.
Veena Naregal, 'Marginality, regional form and state patronage' http://
www.india -seminar.com/2008/588/588šveenašnaregal.htm
Ha Vishay Maharashtrachya Sanskrutik Rajkaranat Mahattvacha Rahila Aahe. Kahi
Nave Parantu Avakhal Vachak He Ana Bhaaunni Utta rkalat Marksvad Sodun Dila
Hota, He Mandanyacha Aahe. Vangidakhal Paha.
B.N. Gaikwad, "Manifestation of Caste and Class in Anna Bhau Sathe's Fakira and
Baburao Bagul's 'Jenvha Mi Jaat Chorali Hoti'
https:// www.academia.edu/people/search?utf8=%E2%9C%93q= -nna+Bhau Sathe.
Sathe Anna Bhau. Hav Te Lihito Uddhrut’. Yugantarmadhil Ana Bhau Sathe
Yanche Sahitya’ Sampa.Pra. shok Chous alkar, Pra. Randhir Shinde, Shramik
Pratishthan, Bindu Chauk, Kolhapur, Pra. Aa. 2011, Pru.33.
Sathe Anna Bhau, ‘ Saanyukt Maharashtra Aani Jast VAstav’, Uddhrut Lekh,
Tatraiv, Pru.43.
Sathe Anna Bhau, ‘He Aamhavar Ladale’, Kavita, Tatraiv, Pru.217.
Sathe Anna Bhau, ‘Mazi Maina’ Uddhrut Lo. A. Bha. Sa. Nivadak Vadamay, U.
Ni., Pru.61.
Gurav Dr. Baburav,. ‘Anna Bhau Sathe Samahvichar Aani Sahitya Vivechan’, U.
Ni., Pru.151 -152.
Sathe Anna Bhau. ‘Barbadya Kanjari’, Vidhyarthi Prakashan, Pune. 2004 Prastavaa.
Sathe Anna Bhau. ‘Khulvadi’. Abhinav Pakahan, 1957, Prastavan.
Lokshahir Anna Bhau Sathe Nivadak Vadmay’ Sampa. Arjun Dangale, Nila
Upadhye, Vasundhara Pendase – Naik, Dr. Subhas Savarkar.Maharashtra Rajya
Sahitya Aani Sanskruti MAndal, Mumbai : 1997.
Sathe Anna Bhau. ‘Ladi’ Bhagavandas Hiraji Prakashan, Pune, Aavrutti Dusari,
1986.
Dr. Raut Anant. ‘Jannayak Ana Bhau Sathe’ (Sampadak). Sahityabhushn Anna
Bhau Sathe Kala Akadami V Sashodhan Kendra, Latur, Aavruti. Pahili 2002
Prushth 365.
‘Loshahir Anna Bhau Sathe Nivadak Vadmay’ Sampa. Arjun Dangale. Nila
Upadhye, Vasundhara Pendase - Naik, Dr. Subhash Savarkar. Maharashtra Rajya
Sahitya Aani Saskruti Madal, Mumbai : 1997.
Dr. Gurav Baburav. ‘Anna Bhau Sathe : SAmajvichar Aani Sahitya Vivechan’.
Lokvadma y Gruh Mumbai, Prushth.
VAGNATY, LAVANI, BALLADS, ODES AND SHAHIRI:
Marathiche loknatya tamasha kala aani sahitya’ - Namdev Vhatkar, Yashshri
Prakashan.
Ase hote Anna Bhau Sathe’ – V.B.Vitekar, Chhaya Prakashan, Pune.
Loknatyaachi Parmapara’ – V.Kru.Joshi Thokal Prakashan, Pune.
Anna Bhau Sathe: Samaj vichar V Sahitya Vivechan’ Dr. BaburavGurav,
Lokvadmay, Mumbai.
Loksahitya Ki Bhumika’ – Krushnadev Upadhyay Sahityabhava,Elahabad.
Manus Kalavant Aani Samaj – Narayan Surve, Popular Prakashan,Mumbai.
Page 13
Anna Bhau Sathe: Vyakti Aani Vadmay’ – Pra.M.P. Gandekar yancha Dr. Ba.Aan.M.
Vidhyapith, Aurangabad yanna sadar kelela shodhprabamdh.
Shiva -Sabha kavalapurkar, Kambale Ma. So. Sangali, 1996,Prushtha
Kra. 33-34.
Bharati, 16 Octobar 1947 Mujumdar Aabasaheb, Prushtha Kra.7
Marathi Lavani, Dhond M. Va., Mauj Prakashan, Mumbai.19988,
Prushtha Kra.11
Shahir Varadi Parshuram, Moraje Gan. Na., Prakashak, Gayatri Sadan,
Vijay Nagar Kolani, Pune, Pahili Aavrutti, 1980, Prushtha Kra. 163.
Nagarkar Haribhau Bade, Loknatya Tamasha Mandal, YanchyaMalegav,
Ji. Nanded, Yethil Di. 18 Februvari 2010 Roji Tamashachya
Karyakramatun Halichi Gavalan Prapt.
Paththe Bapuravkrut Rangbaji Lavanya (Bhag Tisara) (Dusari Aavrutti)
1969 Sam. Pa. Sangra. Jintikar Ba. M. Pune, PrushthaKra. 12
Nandavalkar Sahebrav Loknatya Tamasha Mandal, Nandval, Ji. Satara
Yanchya Sangrahit Asalelya Gavalni.
Loknatya Parampara, Joshi Vi. .. Prakashak Thokal Prakashan, Pahili
Aavrutti 1961, Pune, Prushtha Kra.165
Lokdharmi Natyachi Jadanghadan, Do. Vyavahare Sharad,
Vishwabharati Prakashan, Nagapur, Pahili Aavrutti, 1990, Prushtha
Kra. 116.
Tamasha Lokrangbhumi, Do. Achalkhamb Rustum, PrushthaKra. 181
Page 14
Periodicals:
Asmithadrashan (Aurangabad) :1969: Diwali Issue: editor Dr Gangadhar Pantavane .
Devaki Nandan Gopala” Bombay: July 1982.
Lokrajya (Bombay: 1 Nov, 1993. Editor Divakar Gandhe: A Govt.of Maharashtra
Marathi Publication.
Loksahir Anna Bhau Sathe Amrut mahotsava Visheshankya (Pune:1 Augst , 1995
Editor: Jagnath Sakat . Dlait Alpsankhyanka Vikas Publication, Pune.
Maharshtra Manas” (Bombay) Nov 1993, Editr A.V. Pasha Government of
Maharashtra, Hindi Publication.
Sugava Pune: 1977: editor: Vilas wagh.
Vicharkranti (Nagpur): 1977: Editor: Yashavant Manohar.
Yougantar, Bombay): 30 Nov, 1969. Editor Shreekant Lad.
Ph. D. Dissertations :
Davane Asha Puroshottam : Anna Bhau Sathe : Vakiti ani Vangmaya submitted to
Nagpur University ,Nagpur 1989 :Supervisor :Yahswant Manaohar
Guarav Baburao Ramchandra: Anna Bhau Sathe: Samj vichar Ani Sahittya
Vivechana.Subitted to Shivaji University, Kolhapur (1984)
****
Page 15
Appendix ‘B’)
New ordinances 6833 & 6834 relating to the
Certificate Course in Sahityaratna Anna Bhau
Sathe’s Works
Justification for Certificate Course in Sahityaratna Anna Bhau Sathe’s Works
1. Necessity for starting the course: Certificate Course offers an
opportunity for the researchers to
delve deeper into Anna Bhau Sathe’s
works, contribution in the field of
literature, culture, arts using
Interdisciplinary approach
2. Whether the UGC has
recommended the course:
No
3. Whether all the courses have commenced
from the academic year 2019 -2020(2022 -
23):
Yes
4. The courses started by the University are
self-financed, whether adequate number of
eligible permanent faculties are available?:
Yes
5. To give details regarding the duration of the
Course and is it possible to compress the
course?:
6months
6. The intake capacity of each course and no.
of admissions given in the current academic
year:
40Studentsperbatch
7. Opportunities of Employability/Employment
available after undertaking these courses: In Media, Journalism, teaching in
Humanities
Signature
Dr.BaliramN.GaikwadChairman of
Board of StudiesI/CDirector
Page 16