AIC TYBA Syllabus 2019 1 1 Syllabus Mumbai University


AIC TYBA Syllabus 2019 1 1 Syllabus Mumbai University by munotes

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TYBA syllabus for A ncient Indian Culture
Semester V

PAPER IV: INTRODUCTION TO MUSEOLOGY
1. What is Museum
a) Definition, aims & objectives.
b) History of collections & Museums.
c) Types of Museums.

2. Functions of Museums
a) Acquisition
b) Documentation
c) Gallery Security

3. Functions of Museums
a) Types of Gallery
b) Display
c) Signage

4. Research, Education & Publication
a) Research& Library
b) Education
c) Publications







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PAPER V: ART & ARCHITECTURE IN ANCIENT INDIA
1. Salient Features of Indian art
a) Prehistoric & Proto historic art
b) Rock art- Paintings & carvings
c) Architecture, sculptures & pottery of Proto historic period
2. Art of the early historic period - 324 B.C up to 1st century B.C
a) Monuments
b) Sculptures
c) Terracotta
3. Origin & development of Stupa architecture in India
a) Sanchi & Bharhut
b) Amra vati & Sarnath
c) Stupas of later period
4. Introduction to development of rock -cut architecture in India














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PAPER VI (SEM V) Introduction to Heritage Management
1) a) What is Heritage?
b) Cultural, Natural and mixed Heritage: Definition, Scope

2) a) Urban Heritage: Concept and issues
b) National Heritage: Concept and issues

3) a) World Heritage: Concept and scope
b)Movable Heritage: Concept and issues

4)Important n ational and international policy and legal frameworks regarding
heritage

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PAPER VII (SEMV) Heritage Tourism
1) (a) Tourism: Definition & Scope
(b) Heritage tourism:Concepts and definitions
2) a) Issues and trends in inbound and Domestic Tourism in Indi a
b) Intercultural perspectives involved in tourism
3) a) Functioning of I.T.D.C & M.T.D.C and tour operators
b) Market survey, research and data collection before designing heritage tour
4)Issues and trends in the management of heritage visitor attrac tion
(Practical session: Analyzing visitor’s management and visitors’ experience for
a selected heritage site)

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PAPER VIII: RELIGIOUS & PHILOSOPHICAL THOUGHTS IN ANCIENT
INDIA (SEM V)
1. Concept & components of Religion
a) Mythology, rituals & ethics
b) Religion a s understood by Anthropological - Archaeological model
c) Sociology of religion
2. Historical background
a) Religion in Harappan
b) Indo-Iranian religion
c) Vedic age
3. Age of enlightenment
a) Later Vedic tradition
b) Buddhism & Jainism
c) Ajivika&Lokayata
4. Folk elements in early religious traditions
a) Tree & serpent worship
b) Demi gods & spirits
c) Ancestors worship & early festivals

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PAPER IX: AN INTRODUCTION & SURVEY OF LITERATUIRE
ION ANCIENT INDIA (SEM V)

1. Chronology & content of Vedic literature
2. Development of Vedangas in early pe riod
3. Introduction to Smriti literature, contents, classification & chronology
4. Chronology & content of Epics
5. Introduction to content, chronology of Pali canonical literature








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Semester VI

PAPER IV: INTRODUCTION TO MUSEOLO GY
1. Conservation & Preservation of museum objects
a) Preventive & Curative
b) Chemical treatment of museum objects - Organic
c) Chemical treatment of museum objects - Inorganic

2. Types of Exhibitions
a) What are Exhibitions
b) Permanent Exhibitions
c) Temporary Exhibitions

3. Out-reach activities of museums
a) Involvement of children, museum shop, mobile exhibitions
b) Events, special exhibitions
c) Audio guides

4. Museum Administration
a) Museum & Personal
b) Hierarchy
c) Duties & responsibilities

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PAPER V: ART & ARCHITECTURE IN ANCIENT INDIA (SEM VI)
1. Temple architecture
a) Origin & development of Temple architecture
b) Developmentof Structural temples
c) Development of styles - Nagara, Dravida, Vessara, Bhumija,
Phamsana
2. Development of Sculptures & Paintings in India
a) Development of Sculptural art - Satavahana, Kushana schools of
Indian art
b) Gupta, Vakataka, Rashtrakuta
c) Pallava sculptures, Chola & Pala iconography
3. Development of Sculptures & Paintings in India
a) Ajanta
b) Bagh
c) Ellora&Tanjore
4. Development of Secular architecture
a) Step wells
b) Forts & Fortifications
c) Town -planning

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PAPER VI (SEM VI) Introduction to Heritage Management
1)a) What is Heritage Management: Vision, aim and scope
b) Process of managing tangible and intangible heritage

2) a) Heritage Interpretation and public education for sites and museums
b) Promotion of Tangible and Intangible Heritage

3) a) Digital Technologies used in Heritage Management
b) Heritage Economics and its impact on sustainable development

4) a) Role of various subject experts in a heritage project
b) Planning and execu tion of heritage project

(Practical Session: Preparing a plan for a project around a heritage
site/monument/craft community/tradition knowledge system with a clear vision
and aim for sustainable development)


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PAPER VII (SEM VI) Heritage Tourism
1)He ritage interpretation
2)a) Entrepreneurial thinking and the business planning process
b) Business model for Heritage Tourism
3) a) Creating and planning an experience for domestic and international tourists
using local heritage
b) Economic model of heritage tour
4) a) Promotion, marketing of heritage site and heritage tour
b) Partnerships for heritage tourism
[Practical Session – Planning and operating of heritage walk/tour around a
heritage site/community]

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PAPER VIII: RELIGIOUS & PHILOSOPHICAL THOUGHTS IN ANCIENT
INDIA (SEM VI)
1. Historical development of Shaivism
a) Rudra -Shiva
b) Kashmir Shaivism & Pashupata sects
c) Shaiva Siddhanta
2. Historical development of Vaishnavism
a) Pancharatra
b) Bhagwat
c) South Indian Vaishnavism
3. Tantra sect
a) Shaiva/Vaishnav tantra
b) Shakta tantra
c) Baudha tantra
4. Medieval Cultic development
a) Bhakti
b) Natha
c) Datta

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PAPER IX: AN INTRODUCTION & SURVEY OF LITERATUIRE
ION ANCIENT INDIA (SEM VI)
1. Introduction to Arthashastra, Nitishashtra &Kamashastra traditions
2. Content, classification & chronology of Puranic literature
3. Introduction to classical literature in Sanskrit – Bhasa &Kalidasa
4. Introduction to classical literature in Sanskrit –Bana, Bhavabhuti &
Jayadeva
5. Review of Jain Prakrit literature


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References for Paper IV in Sem V and Sem VI
Agrawal O.P. 1977. Care and Preservation of Museum Objects, New Delhi:
National
Research Laboratory for Conservation of Cultural Property.
Aiyappan A. & S.T.Satyamurti 1960. Handbook of Museum Technique,
Madras: Sup. Govt. P ress.
Basu M.N. 1943. Museum Method & Process of Cleaning & Preservation,
Culcutta : University of Calcutta.
Baxi Smita J. and V. Dwivedi 1973. Modern Museum Organization and
Practice in India.New Delhi: Abhinav Publication.
Bedekar V.H. (Ed.) 1988. New Museology and Indian Museum: Report based
on proceedings of All India Seminar held at Gauhati, Assam.
Bhatnagar A. 1999. Museum, Museology and New Museology, New Delhi:
Sandeep ix. Prakashan
Biswas T.K. 1996. Museum and Education, New Delhi: New Age Inter national.
Chaudhari A.R. 1963. Art museum documentation & Practical h a n d l i n g ,
Hyderabad: Chaudhary & Chaudhary.
Edson G. & Dean David 1994. Handbook for Museums, London: Routledge.
Hooper Greenhill E. (Ed.) 1994. Educational Role of the Museum, London:
Routledge.
Light R.B. et al. 1986. Museum Documentation System: Developments and
Application, London: Butterworths.
Moore Kevin (Ed.) 1994. Museum Management, London: Routledge.
Pearce S.M. (Ed.) 1994. Interpreting Objects and Collections, London:
Routledge. Pearce S.M. 1990. Archaeological Curatorship, London: Leicester
University Press.
Plenderleith H.J. 1071. Conservation of Antiquities and Works of Arts in India,
Delhi: Sandeep Prakashan.

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Taylor S. (Ed.) 1991. Try it! Improving exhibits throug h formative evaluation,
Washington: Asso.of sc. tech. centre.
UNESCO Publication 1960. The Organization of Museum: Practical Advice ,
Paris: UNESCO.

References for Paper V in Sem IV and Sem VI

Acharya, P. K. 1927. Indian Architecture According to Manasara
Shilapshastra . Bombay: Oxford University Press.
Agrawal, V.S. 1948. Gupta Art . Lucknow: U.P. Historical Society.
Agrawal, V.S. 1965. Masterpieces of Mathura Sculptures . Varanasi: Prithvi
Prakashan.
Asher, Catherine B. and Thomas R. Metcalf (Eds .). 1994. Perceptions of South
Asia's Visual Past . New Delhi/ Madras: American Institute of India Studies/
Swadharma Surajya.
Banerji, Arundhati 1994. Early Indian Terracotta Art . New Delhi: Harman
Publishing House.
Berkson, Carmel 1982. An Approach Towa rds Examining Style in the Cave
Temple, in Rupa Pratirupa (Alice Boner Commemoration Volume) [Bettina
Baumer ed.], pp. 57 -86, New Delhi, Biblia Implex.
Berkson, Carmel 1992. Ellora: Concept and Style . New Delhi: Abhinava
Publications and Indiara Gandhi Na tional Centre for Art.
Bhatacharyya, T. 1947. A Study of Vastuvidya or Canon of Indian Architecture .
Patna: Dariapore
Bose, N. K. 2001. Orissan temple Temple Architecture (Vastushastra) [With
Sanskrit text and English translation). Delhi: Bharatiya Kala Prakashana.
Brown, Percy 1959. (4th edition) Indian Architecture (Buddhist and Hindu
Period) . Bombay: D. B. Tarporewala.
Chakrabarti, Jayant 1980. Techniques in Indian Mural Painting . Calcatta: K. P.
Bagchi and Company.
Coomarswami, Ananda 1972. History of Indian and Indonesian Art . New Delhi:
Mushiram Manoharlal. (Indian edition.)
Deglurkar, G. B. 1974. Temple Architecture and Sculpture of Maharashtra .
Nagpur: Nagpur University.
Dehejia, Vidya 1990. Art of Imperial Cholas . New: York: Columbia Universi ty
Press.

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Dehejia, Vidya 1997. Discourse in Early Buddhist Art: Visual Narrative of
India New Delhi: Munshiram Manoharlal.
Dehejia, Vidya 1997. Indian Art . London: Phaidan Press.
Dhavalikar, M. K. 1978. Masterpieces of Indian Terracottas . Bombay:
Tarapo rewala and Sons.
Dhavalikar, M.K. 1983. Master Pieces of Rashtrakuta Art: The Kailas .
Mumbai: Taraporevala.
Dwivedi, V. K. 1976. Indian Ivories . Delhi: Agam Kala Prakashan.
Dehejia, Vidya 1972. Early Buddhist Rock Temples: A Chronological Study .
London: Thames and Hudson.
Dehejia, Vidya 1979. Early Stone Temples of Orissa . Delhi: Vikas Publishing
House.
Dehejia, Vidya 1997. Discourse in Early Buddhist Art: Visual Narrative of
India New Delhi: Munshiram Manoharlal.
Dhaky, M.A. 1977. The Indian Temple Forms: In Karnataka Inscriptions and
Architecture . New Delhi: Abhinava Publications.
Dhavalikar, M.K. 1983. Master Pieces of Rashtrakuta Art: The Kailas .
Mumbai: Taraporevala.
Donaldson, Thomas E. 1985. Hindu Temple Art of Orissa . (volume I). (Studies
in South Asian Culture 12). Leiden: E. J. Brill.
Encyclopaedia of Indian Temple Architecture . (Volume 2, part 1)Varanasi/
Gurgaon: American Institute of Indian Studies.
Encyclopaedia of Indian Temple Architecture . (volume I, part 1,2,3, and
Volume 2, part 1, 2, 3) Varanasi/Gurgaon: American Institute of Indian Studies.
Gangoli, O. C. 1957. Art of Chandela . Calcutta: Rupa and Company.
Gangoli, O. C. 1957. Art of Chandela . Calcutta: Rupa and Company.
Gupta, S.P. (Ed.) 1985. Kushan Sculptures from Sanghol: A Recent Discovery .
New Delhi: National Museum
Hallade, M. 1968. Gandhara Style and the Evolution of Buddhist Art . London:
Thames and Hudson.
Huntington, Susan. 1985. The Art of Ancient India (Buddhist, Hindu and Jaina) .
New York: Weatherhill.
Hardy, Ad am. 1995. Indian Temple Architecture: Forms and Transformations .
New Delhi: Indira Gandhi National Centre for the Art and Abhianava
Publications.
Joshi, N.P. 1966. Mathura Sculptures . Mathura: Archaeological Museum. Joshi,
N.P. 1966. Mathura Sculptures . Mathura: Archaeological Museum.

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Kramrisch, Stella 1986. The Hindu Temple. (2 volumes). Reprint. Delhi: Motilal
Banarasidas.
Krishna Deva. 1990. Khajuraho Temples . (two volumes) (Series: Architectural
Survey of Temples 5). New Delhi: Archaeological Survey of India.
Kala: Journal of Indian Art History Congress . Publisher: Indian Art History
Congress, Guwahati (Assam). Annual.
Khandalwala, Karl (Ed.) 1991. Golden Age: Gupta Art Empire , Province and
Influence. Bombay: Marg Publications.
Kramrisch, Stella 19 33. Indian Sculpture . Calcutta: Y.M.C.A. Publication
House.
Kramrisch, Stella 1965. The Art of India . London: Phaidon Press.
Mate, M. S. 1998. Prachin Kala Bharati . Pune: Continental Prakashan.
Mitra, Debala 1992. Konark . New Delhi: Archaeological Surve y of India.
Mate, M. S. 1998. Prachin Kala Bharati . Pune: Continental Prakashan.
Mathur, Asha Rani. 1988. The Great Traditions: Indian Bronze Master Pieces .
New Delhi: Festival of India.
Motichandra 1957 -58. Ancient Indian Ivories, Bulletin of the Princ e of Wales
Museum (1957 -58) Volume 6, pp. 4 -63.
Nagaraju, S. 1981. Buddhist Architecture of Western India . Delhi: Agam Kala
Prakashan.
Nehru, Lolita 1989. Origins of Gandhara Style: A Study of Contirbutary
Influences . Delhi: Oxford University Press.
Parimoo, Ratan et al. (ed.) 1991. The Art of Ajanta: New Perspective . New
Delhi: Books and Books. (two volumes)
Parimoo, Ratan, Deepak Kannal and Shiavaji Panikkar (Eds.). 1988. Ellora
Caves: Sculptures and Architecture (Collected Papers of the UGC's Nati onal
Seminar). New Delhi: Books and Books. u
Parimoo, Ratan, Deepak Kannal and Shiavaji Panikkar (Eds.). 1988. Ellora
Caves: Sculptures and Architecture (Collected Papers of the UGC's National
Seminar). New Delhi: Books and Books.
Pichard, Pierre. 1995. Tanjavur Brihadishvar: An Architectural Study (The
Monument and The Living Presence Series). New Delhi: Indira Gandhi
National Centre for Arts.
Pramod Chandra (Ed.) 1975. Studies in Indian Temple Architecture (Papers
presented at a Seminar held at Varanas i, 1967). New Delhi: American Institute
of Indian Studies.

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Rajendra Prasad. 1983. Chalukya Temples of Andhradesh . New Delhi: Abhinav
Publications.
Rama, K. 1995. Buddhist Art of Nagarjunkonda . Delhi: Sandeep Prakashan.
Rath Sharma, and Alice Boner (Tr.) . 1966. Shilpa Prakash . Leiden: E. J. Brill.
Ray, Nihararanjan. 1965. Maurya and Shanga Art . Calcutta: Indian Studies.
Rath Sharma, and Alice Boner (Tr.). 1966. Shilpa Prakash . Leiden: E. J. Brill.
Sarkar, H. 1966. Studies in Early Buddhist Architecture of India . New Delhi:
Munshiram Manoharlal
Schlingloff, Dieter 1988. Studies in the Ajanta Paintings: Identifications and
Interpretations . Delhi: Ajanta Publications.
Settar, S. 1992. Hoyasala Temples . Dharwad: Karnataka University.
Sharma, R.C. 1986. Mathura as School of Sculpture
Saraswati, S. K. 1975. A Survey of Indian Sculpture . New Delhi: Munshiram
Manoharlal.
Schlingloff, Dieter 1988. Studies in the Ajanta Paintings: Identifications


References for Paper V I in Sem IV and Sem VI
1. Agarwal Rajesh K &NangiaSudesh, Economic & Employment potential
of archaeological monuments in India. Birla Institute of Scientific
research, New Delhi 1974.
2. BiswasSachindraSekhar, Protecting the cultural heritage. National
legislations & international conventions. Aryan books international, New
Delhi 1999.
3. Nagar S.L, Protection, Conservation & preservation of India’s
monuments. Aryan books international, New Delhi 1998.
4. Ghosh A, 50 years of archaeological survey of India, Ancient India 1953.
5. UNESCO & its programmes, protection of mankind’s cultural heritage
sites & monuments, UNESCO 1970.
6. Chainani, S., Heritage conservation, legislative and organisational
policies for India. New Delhi: INTACH. 2007
7. Sarkar, H., Museums and Protections of Monuments and Antiquities in
India. SundeepPrakashan.

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8. Cleere, Henry, ed.. Approaches to the archaeological heritage: A
comparative study of world cultural resource management systems .
Cambridge, UK: Cambridge Univ. Press. 1984
9. Hoffman, Barbara T., ed. Art and cultural heritage: Law, policy, and
practice . Cambridge, UK: Cambridge Univ. Press. 2006
10. Case study on the effects of tourism on culture and the environment:
Cambodia. Soubert, Son; Hay, Soung Lean. UNESCO Principal Regional
Office for Asia and the Pa cific. Bangkok, UNESCO, 1995.
11. Risks Generated by Tourism in an Environment with Cultural Heritage
Assets. Drácky, Milos; Drácky, Tomás. Paris, IFLA -PAC, 2010. URL:
http://www.ifla.org/files/pac/ipn/52 -december2010.pdf
12. References for concepts, policies, charters, guidelines for different types
of heritage:
13. UNESCO World Heritage website: https://whc.unesco.org/
14. Convention Concer ning the Protection of the World Cultural and Natural
Heritage (UNESCO 1972) URL: https://whc.unesco.org/en/convention/
15. UNSCO Intangible Cultural Heritage Website URL:
https://ich.unesco.org/
16. UNESCO Convention for the Safeguarding of the Intangible Cultural
Heritage 2003 https://ich.unesco.org/en/convention
17. ICOMOS Salalah Guidelines for the management of public
archaeological sites URL:
https://www.icomos.org/images/DOCUMENTS/Charters/GA2017_6 -3-
3_SalalahGuidelines_EN_adopted -15122017.pdf
18. ICOMOS Ch arter for Protection and Management of Archaeological
Heritage URL: https://www.icomos.org/charters/arch_e.pdf
19. The Paris Declaration On heritage as a driver of development of
ICOMOS URL:
https://www.icomos.org/images/DOCUMENTS/Charters/GA2011_Decla
ration_de_Paris_EN_20120109.pdf
20. The Delhi Declaration on Heritage and Democracy of ICOMOS URL:
https://www.icomos.org/images/DOCUMENTS/Charters/GA2017_Delhi
-Declaration_20180117_EN.pdf
21. UNESCO Recommendation on the Historic Urban Landscape, including
a glossary of definitions URL:
https://whc.unesco.org/uploads/activities/documents/activity -638-98.pdf
22. Indian Acts for Cultural Heritage URL http://asi.nic.in/legislations/

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World Heritage, Art and Economics: The World Heritage Convention in
the light of Economic TheoryURL:
https://whc.unesco.org/document/9539
23. The Economic Value of Heritage by Xavier Greffe, University of Paris I
(Pantheon - Sorbonne) URL:
https://pd fs.semanticscholar.org/6eae/0b3ba133c59b1b27fff16d4e994343
7b1432.pdf
24. Economics of Uniqueness, The World Bank Publication URL:
http://siteresources.worldbank.o rg/EXTSDNET/Resources/Economics_of
_Uniqueness.pdf



References for Paper VI I in Sem IV and Sem VI
1. KernalBalsar, The concept of the common heritage of Mankind, Vol. 30
MartinusNijhoff.
2. Richard Harrison (ed), Manual of Heritage Management, Butterworth
Heineman.
3. Richard Prentice, Tourism & Heritage attractions, Queen Margaret
College. 7) Wittlin Alma, The Museum, London, 1949.
4. Nego JMS, Tourism & Travel, Gitanjali Publication house, 1998 .
5. Bhatia A, Tourism in Indian history & development, Delhi, 1978.
6. Davide T Herbert (ed), Heritage Tourism & society, Mausell.
7. The ICOMOS Charter for the Interpretation and Presentation of Cultural
Heritage Sites URL:
https://www.icomos.org/charters/interpretation_e.pdf
8. ICOMOS International Cultural Tourism Charter Managing Tourism at
Places of Heritage Significance (1999) URL:
https://www.icomos.org/charters/tourism_e.pdf
9. Declaration of the International Council of Museums (ICOM) and the
World Federation of Friends of Museums (WFFM) for worldwide
Sustainable Cultural Tourism 2007 URL: https://icom.museum/wp -
content/uploads/2018/07/tourism2007_eng.pdf
10. Sustainable Tourism for Development Guidebook Enhancing capacities
for Sustainable Tourism for development in developing countries by

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World Tourism O rganisation. URL:
http://cf.cdn.unwto.org/sites/all/files/docpdf/devcoengfinal.pdf
Global Code of Ethics for Responsible Tourism by World Tourism Organisation
URL:
http://cf.cdn.unwto.org/sites/all/files/docpdf/gcetbrochureglobalcodeen.pdf

References for Paper VI II in Sem IV and Sem VI

Banerjea, J.N. 1963.Puranic and Tantric Religion.C alcutta: Calcutta University.
Basham, A.L.1990. History andthe Doctrine of the Ajivikas. Delhi:
MotilalBanarasidass.
Bhandarkar, R.G. 1965.Vaishnavism, Shaivism and Minor Religious Systems.
Varanasi: Indological Book House.
Bhattacharya,N.N. 1974. Histor y of the Sakta Religion. New Delhi:
MunshiramManoharlal.
Bhattacharya, N.N. 2007. History of The Tantric Religion. New Delhi
Bhattacharji, Sukumari.1970. The Indian Theogony. Cambridge: Cambridge
University Press.
Chattopadhyaya, D. 1959. Lokayata. New De lhi: People’s Publishing House.
Chatterjee, Asitkumar. 2000. A Comprehensive History of Jainism (2 vols).
New Delhi: MunshiramManoharlal Publishers Pvt. Ltd.
Coomaraswamy, Ananda. 1971. The Yaksha . New Delhi:
MunshiramManoharlal
Paul B. 1985. Ganesa Lor d of Obstacles, Lord of Beginnings. New York:
Oxford University Press
Dehejia,Vidya. 1986. Yogini Cult and Temples A Tantric Tradition. New Delhi:
National Museum.
Deshmukh, P.S. 1933. Origin and Development of Religion in Vedic Literature.
Bombay : Oxford University Press.

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Devasthali,G.V. 1965. Religion and Mythology of Brahmanas. Pune: University
of Poona.
Dutt, Nalinaksha. 1977. Buddhist Sects in India. Calcutta : Firma KLM Pvt. Ltd.
Goyal, S.R.1987. History of Indian Buddhism. Meerut: Kusamanjali
Publications
Jaiswal, S.2010. The Origin and Development of Vaisnavism. Delhi:
MunshiramManoharlal.
Keith, A.B. 1925. Religion and Philosophy of the Vedas(2 vols). Camb ridge:
Cambridge University Press.
Lorenzen, David.1972. The Kapalikas and Kalamukhas: Two Lost SaiviteSects.
. BerkeleyLos Angeles: University of California Press.
Shende,N.N. 1952. Religion and Philosophy of the Atharvaveda. Poona:
Bhandarkar Oriental Research Institute.
Stevenson,S. 1915. Heart of Jainism. London: Humphrey Milford.
Thite, G.U. 1975. Sacrifices in the Brahmana Texts. Pune: University of Poona.
Vogel, J. Ph. 1972. Indian Serpent Lores. Varanasi: Indological Book House.
Warder,A.K. 1980. Indian Buddhism. Delhi: Motilal Banarai Dass



References for Paper IX in Sem IV and Sem VI

Dasgupta S.N., A History of Sanskrit Literature,Calcutta, 1962
Dange S.S., Bharatiya Sahityacha Itihasa, Nagpur, 1975
Upadhyay Baladev, Sanskrit Sahityaka Itihasa, Benares, 1945
Gokhale -Mahulikar -Vaidya, Abhijat Sanskrit Sahityacha Itihas, Mumbai, 2004
Macdonnel A.A - History of Sanskrit literature.

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Winternitz M - History of Indian literature Vol. I, II & III.
Ramkrishna Mission - cultural heritage of India Vol. I, II & III.
Majumdar R. C & Pushalkar A.D - History & culture of the Indian
people, Vol. I,II & III.
Keith A.B - History of Sanskrit literature.
Varadachari V - History of Sanskrit literature.
Chaitanya Krishna - A new History of Sanskrit
Dange S.A., Divine Hymns and Ancient Thoughts, Vols. I -II, New Delhi, 1995

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Name of the Course: Diploma in Heritage Management

Duration : 120 hours
Outcomes :
1. To make student aware with the Tangible and intangible Heritage
2. To make student aware with the importance of process, planning and
execution of heritage project
3. To make students aware with the practical aspects of heritage tourism
Eligibility for admission : 12th Pass
Desired qualification of faculty :
Advanced degree (Masters Pr eferred) in Archaeology, Indology, Mass
Communication, Marketing, Design, Heritage Management, Management,
Business Administration, Tourism, Social Sciences, Urban Planning, etc.
Syllabus :
Paper I Sem I
1. Heritage: Concepts and issues
1) a) What is Heritage?
b) What is Heritage Value?
2) Cultural, Natural and mixed Heritage: Definition, Scope
3) a) Local Heritage: Concept and issues
b) National Heritage: Concept and issues
3) a) World Heritage: Concept and scope
b)Movable Her itage: Concept and issues
4) Historic Urban Landscape: Concept and issues
Cultural landscapes: Concept and scope

2. Heritage: Policy and legal framework
1)a) Heritage: International Scenario and Issues
b) Heritage: National Scenario and Issues

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2) a) N ational laws regarding cultural heritage Part I
b) National laws regarding cultural heritagePart II
c) Maharashtra Ancient Monuments and Sites and Remains Act, 1960
d) Municipal Corporation Legislation for Heritage (BMC and MMRDA)
3) a) International charters/conventions regarding cultural heritage Part I
b) International charters/conventions regarding cultural heritage Part II
4) a) International charters/conventions regarding cultural heritage Part III
b) International ch arters/conventions regarding cultural heritage Part IV
3. Heritage Interpretation, presentation and Promotion
1) a) Understanding heritage
b) Research in heritage
2) a) Heritage Interpretation for Sites and Museums
b) Public Education and Awaren ess Raising
3) a) Presentation of cultural heritage Part I
b) Presentation of cultural heritage Part II
4) a) Promotion of tangible heritage
b) Promotion of intangible heritage
(Assignment : Prepare a project plan including presentation and prom otion plan
for a monument/heritage building)

Paper I Sem II
4. Project Management Part 1
1) Vision for Heritage Project
2) Process of heritage management
2) Planning of Project
3) Managing Tangible and Intangible heritage
(Assignment: Prepare a draft heritage project plan for a monument/intangible
heritage)

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5. Project Management Part II
1) Budgeting and Financial management
2) Human Resources Management and Strategic Planning
3) Funding and Proposal Writing
4) Monitori ng and Evaluation of project
(Assignment : Prepare a Project proposal and its logical framework for a
heritage project)

Paper II . Sem I.
1. Heritage Tourism
1) (a) Heritage Tourism: Concept& Scope
(b) Issues and trends in inbound and Domestic Tourism in India
2) a) Intercultural perspectives involved in tourism
b) Market survey, research and data collection before designing heritage
visitor attraction
3) a) Functioning of I. T. D. C & M. T. D. C and tour operators
b) Issues and trends in the management of heritage visitor attraction
4) a) Creating and planning an experience for domestic and international tourists
using local heritage
b) Promotion, marketing of heritage site and heritage tour
(Assignment : Analyzing visitor’s management and visitors’ experience for a
selected heritage site)

2. Heritage Economics
1) a) Heritage Economics
b) Heritage and sustainable developmen t
2) a) Budgeting for the project or cultural organization
b) Funding, sponsorship for heritage projects
3) a) Economic model of visitor attraction

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b) Business model for Heritage Tourism
4) Partnerships for heritage projects and heritage tourism
(Assignment : Prepare a business model for a visitor attraction/
museum/heritage tour for heritage site)

Paper II: Sem II
Internship: Three months with internship report
OR
Dissertation / Individual Project : on Chosen topic

Paper 1 Sem 1 100 marks exam (60 sem end+ 40 internal)
Paper 1 Sem 2 100 marks exam (60 sem end+ 40 internal)
Paper 2 Sem 1 100 Marks exam (60 sem end+ 40 internal)
Paper 2 Sem 2 100 marks Internship or Dissertation (60 Dissertation+ 40
Viva / open defense)

Page 29



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References for concepts, policies, charters, guidelines for different types of
heritage:
27. UNESCO World Heritage website: https://whc.unesco.org/
28. Convention Concerning the Protection of the World Cultural and Natural
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31. ICOMOS Salalah Guidelines for the management of public
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3_SalalahGuidelines_EN_adopted -15122017.pdf
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World Heritage, Art and Economics: The World Heritage Convention in
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https://pdfs.semanticscholar.org/6eae/0b3ba133c59b1b27fff16d4e99 4343
7b1432.pdf
38. Economics of Uniqueness, The World Bank Publication URL:
http://siteresources.worldbank.org/EXTSDNET/Resources/Economics_of
_Uniqueness.pdf

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39. The ICOMOS Charter for the Interpretation and Presentation of Cultural
Heritage Sites URL:
https://www.icomos.org/charters/interpretation_e.pdf
40. ICOMOS International Cultural Tourism Charter M anaging Tourism at
Places of Heritage Significance (1999) URL:
https://www.icomos.org/charters/tourism_e.pdf
41. Declaration of the International Council of Museums (ICOM) and the
World Federation o f Friends of Museums (WFFM) for worldwide
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43. Global Code of Ethics for Responsible Tourism by World Tourism
Organisation URL:
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f
44. Risks Generated by Tourism in an Environment with Cultural Heritage
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